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Word: ending (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

From then on, it was all Harvard, as the Crimson drove the field with ease. Myers rumbled for 17 yards on one play, Perry passed to tight end Kevin Collins for 31 more on another. Finally, running back Art McMahon swept around right end for the score. Kicker Brian Kotz connected on his point after to give Harvard an 8-point lead it would never relinquish...

Author: By Michael R. Grunwald, SPECIAL TO THE CRIMSON | Title: Gridders Spoil Yale's Perfect Year, 37-20 | 11/18/1989 | See Source »

...instance, when Wisconsin activists had difficulty coordinating a rally, students at the University of Wisconsin at Madison decided to hold one on campus, Bowman says. In the end, their enthusiasm sparked a rally at the state capitol...

Author: By Jennifer L. Greenstein, | Title: Pro-Choice: Rallying Campus Support | 11/18/1989 | See Source »

...problem with Thoreau is that, in the end, it seems a little thin. The messages of noticing nature, bucking authority and getting involved have been preached over and over, and no new twists are added here. Thoreau's treatment of Williams (Karl Lampley), a runaway slave, even seems a little paternalistic, undercutting its supposed morality. Because the play's idealism is old and worn out, it does not affect one as it might have. Thoreau's story--except the sequence about the death of his brother, which is affecting--is not emotionally powerful. The play lacks the emotional or intellectual...

Author: By Stephen E. Frug, | Title: Jailhouse Talk | 11/17/1989 | See Source »

Ulam also refuted theories that Stalin actually trusted Hitler to hold up Germany's end of the treaty. "Any man who would have two brothers-in-law shot and his friends liquidated would not trust a man like Hitler," Ulam said...

Author: By Julian E. Barnes, | Title: Second World War Commemorated; Experts Discuss the Conflict's Origins | 11/17/1989 | See Source »

...Blackstone undertakes the role of Crow, Hoss' rival, in the second act, during which he dominates the dialogue and stage. Disconcerting and annoyingly weasel-like at first, Crow grows on the audience throughout the second act. By the end, Blackstone completely eclipses Preven, who meets his demise, both literally and in his ability to maintain the audience's attention. It is especially difficult to take one's eyes off Blackstone's Crow during his duel scene with Hoss in the second act, an emotional moment that showcases superb acting and choreography as the two main characters engage in a battle...

Author: By Liza M. Velazquez, | Title: Tooth or Consequences | 11/17/1989 | See Source »

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