Word: endless
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...music and now video move to this new environment, the traditional economics of media are under attack. Tellingly, the most valuable media company in the world right now is not Disney or News Corp. or Time Warner (owner of Time) but Google, which helps people find stuff on those endless online shelves...
...shown that the combination of scantily-clad women and R. Kelly leads to chart success (and occasionally court dates). Suffice it to say that eye candy is in plentiful supply. Yet the visuals tire quickly, with amusing cameos from T.I. and T-Pain providing the only counterpoints to an endless succession of quick cuts featuring R. Kelly, people’s (now ex-) girlfriends, and still more R. Kelly. What redeems and almost legitimizes this video is the song itself. It’s tacky, tongue-in-cheek, and irresistibly catchy. Clocking in at five-and-a-half minutes...
...station’s further development.“One of the things that’s been a challenge for us is that with Internet television there’s a demand for rapid production,” says Lebwohl. “We have an endless opportunity, or obligation, to provide students with content 24 hours a day.”Constant content, though, is a distant dream. “Ivory Tower” premieres with a new episode roughly once every two months.“Crimson Edition,” a documentary program praised...
...Harvard’s 13 wins is the league’s most since the Crimson ran the table in 2002-2003 before losing 79-69 to Kansas State in the opening round of the NCAA Tournament.And all the while, I’ve been in Argentina, watching endless hours of soccer (no complaints about that) and snatching only precious few basketball highlights on ESPN Deportes (all of them are of Manu Ginobili). I trekked through a horrendous blizzard in March 2005 to watch Harvard and Reka Cserny ’05 rally to beat Dartmouth and claim a share...
...reasons other than its mere existence. The massive assembly at once reinforces and threatens Clergue’s photographs. Though the show includes works from many periods of Clergue’s acclaimed oeuvre, its emphasis is squarely on female nudes. In these photographs, Clergue plays alchemist with seemingly endless permutations of his preferred elements—flesh, water, and light. In his most impressive photographs, these three elements harmonize, none taking precedence over the others. In “Nu de la Mer” (1966), water rises tranquilly around the legs and torso of a bather and courses...