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...that the marriage of Rosie O'Donnell to her longtime partner Kelli Carpenter became just one more nuptial, though maybe the one that attracted the most photographers. The city's Gay Men's Chorus all but went hoarse singing The Star-Spangled Banner and Chapel of Love to an endless line of couples, with assorted children and parents and friends cheering them on. "When you have the opportunity to watch and hear a ceremony, you feel the real passion, the solemnity, the commitment," says Susan Leal, the city and county treasurer, who officiated at many of them. "If that...

Author: /time Magazine | Title: For Better Or For Worse? | 3/8/2004 | See Source »

...marijuana. There are even some broader principles that can be discussed: Should the question of gay marriage--or abortion, for that matter--be decided by the judgment of a court or by legislation? Is there any way to limit our commercial culture's ability to narcotize children with an endless stream of sex and violence? But those deeper arguments usually get as much attention as the size of the budget deficit. In fact, the Culture War isn't really a war; it's more a public entertainment, a Culture Circus. Wars require combatants. The general public...

Author: /time Magazine | Title: The Culture War Is Really a Culture Circus | 3/8/2004 | See Source »

...third floor of 5, Avenue Marceau - Saint Laurent's famous couture house, now a cultural foundation and home to his archives. Last Friday evening, Saint Laurent devotees such as Catherine Deneuve were invited to walk through the archives to examine collections past. Behind the heavy rolling doors were seemingly endless racks of chiffon dresses, beaded jackets and floor-length feathered coats, many of which are indelibly etched on the minds of fashion mavens. Downstairs, in what was once the couture salon, an exhibit entitled "Dialogue with Art" highlighted some of Saint Laurent's iconic silhouettes: the Mondrian dresses, the Picasso...

Author: /time Magazine | Title: Fresh Parisian Flowers | 3/7/2004 | See Source »

...endless proselytizing about faithfulness to the Gospels, Gibson strays from the narrow Biblical path quite often. Pontius Pilate is given a disproportionate amount of screen time as he agonizes over his decision to crucify Jesus, while such a conflicted Pilate cannot be found in any of the Gospels. In a blatantly inaccurate flashback to Jesus’ youth, we see an enthusiastic carpenter apparently constructing mankind’s first high table, as Mary remarks, “This will never catch on.” And despite his many triumphant experiments (the film wouldn’t be nearly...

Author: By Ben B. Chung and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Film Review of The Passion of Christ | 3/5/2004 | See Source »

During this seemingly endless savagery, the audience is directly implicated twice, once by Jesus and once by Mary Magdalene, as if to ask, “Look at what is being done to this great man. What are you going to do in response?” The problematic response based on the movie itself is that we must revenge ourselves upon the Jews, a feature that makes this film implicitly if not explicitly anti-Semitic...

Author: By Ben B. Chung and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Film Review of The Passion of Christ | 3/5/2004 | See Source »

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