Word: energico
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Dates: during 1950-1959
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...third movement, Contemplativo, maintains an almost unbroken and highly expressive melodic line. Through much of the movement there is a subdued, delicate orchestral texture from which now one voice, now another emerges with the melody. The final Energico, in regular sonata-form, proceeds quickly, leaving the audience in high spirits...
...from I Puritani. Then the pianistically mannered Thalberg played his variation; Liszt provided a transition to the offering of Pixis; Herz came next, then Czerny, whose knuckle-cracking exercises have been the nemesis of piano students for the last hundred years. Liszt, from his piano, interjected a Fuocoso molto energico; the slender Chopin added an exquisite largo. At last, in his finale, Liszt wittily and skillfully parodied the styles of the others-except Czerny and Chopin, whom he respected too much. The audience buzzed with excitement. Tickled, Liszt later published the whole thing with the name Hexameron, often played...