Word: enfante
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Dates: during 1960-1969
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...conceived by George Washington, who suggested it to the capital's original planner, French Engineer Pierre Charles L'Enfant, Pennsylvania Avenue was to be a symbolic "axis of the nation," balancing democracy at either end in the architecture of the executive White House and the legislative Capitol. Last week the Kennedy-launched Council on Pennsylvania Avenue, chaired by Architect Nathaniel A. Owings, released plans that might make L'Enfant's dream finally come true...
Perverse Roses. From the first lurid hint that Béjart's Faust was a little special, everyone hoped for the worst. Béjart, 37, has a well-burnished reputation as an enfant terrible director of theater, ballet and opera. His talent for welding all three together into erotic iconoclastic visions of such works as The Merry Widow and The Tales of Hoffmann has made his name a café cliché: "style Béjart" means art that is mercilessly frank...
Cocteau never stopped trying to shock the bourgeois out of their lethargy, and complained when they grew increasingly unshockable. "I have never caused scandal without premeditation," he said. "I deem it indispensable." Eight years ago, this determined, dedicated enfant terrible applied to the stodgy, conservative French Academy. "Since it is now fashionable to laugh at the academy," he said, "I have remained a rebel by joining...
Though he looks like a British version of Mr. Peepers, the likeness ends there. Theater Critic Bernard Levin is the enfant terrible of London's West End. Long the Manchester Guardian's television reviewer, he grew "weary of spitting into the wind" in 1958 and quit. As an irascible panelist for the BBC's satiric That Was the Week That Was show, he once greeted a group of farmers with the words, "Good evening, peasants." But it is in his theater reviews for Lord Beaverbrook's Daily Express and more recently for the Daily Mail that...
...orchestral supremacy than Szell himself, to whom all the excitement is a glowing reflection of his own musical genius. At 65, Szell (pronounced sell) has spent 50 years on the podium, a life cycle that began as Wunderkind in Richard Strauss's Germany, then progressed to enfant terrible in Szell's Cleveland. He arrived in Cleveland in 1946, pruned and rebuilt the orchestra, educated its audience, charmed its angels, and terrified everyone, until he reached a point of supreme control and superb accomplishment. Now, after 17 years, he calls his orchestra "this glorious instrument-an instrument that perfectly...