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Perverse Roses. From the first lurid hint that Béjart's Faust was a little special, everyone hoped for the worst. Béjart, 37, has a well-burnished reputation as an enfant terrible director of theater, ballet and opera. His talent for welding all three together into erotic iconoclastic visions of such works as The Merry Widow and The Tales of Hoffmann has made his name a café cliché: "style Béjart" means art that is mercilessly frank...

Author: /time Magazine | Title: Opera: Faustian Scandal in Paris | 3/27/1964 | See Source »

Cocteau never stopped trying to shock the bourgeois out of their lethargy, and complained when they grew increasingly unshockable. "I have never caused scandal without premeditation," he said. "I deem it indispensable." Eight years ago, this determined, dedicated enfant terrible applied to the stodgy, conservative French Academy. "Since it is now fashionable to laugh at the academy," he said, "I have remained a rebel by joining...

Author: /time Magazine | Title: France: The Sparrow & the Dilettante | 10/18/1963 | See Source »

Though he looks like a British version of Mr. Peepers, the likeness ends there. Theater Critic Bernard Levin is the enfant terrible of London's West End. Long the Manchester Guardian's television reviewer, he grew "weary of spitting into the wind" in 1958 and quit. As an irascible panelist for the BBC's satiric That Was the Week That Was show, he once greeted a group of farmers with the words, "Good evening, peasants." But it is in his theater reviews for Lord Beaverbrook's Daily Express and more recently for the Daily Mail that...

Author: /time Magazine | Title: Critics: Paying Guest | 3/22/1963 | See Source »

...orchestral supremacy than Szell himself, to whom all the excitement is a glowing reflection of his own musical genius. At 65, Szell (pronounced sell) has spent 50 years on the podium, a life cycle that began as Wunderkind in Richard Strauss's Germany, then progressed to enfant terrible in Szell's Cleveland. He arrived in Cleveland in 1946, pruned and rebuilt the orchestra, educated its audience, charmed its angels, and terrified everyone, until he reached a point of supreme control and superb accomplishment. Now, after 17 years, he calls his orchestra "this glorious instrument-an instrument that perfectly...

Author: /time Magazine | Title: Music: The Glorious Instrument | 2/22/1963 | See Source »

...Natural and the Supernatural Jew (Pantheon; $6) is a wide-ranging survey of modern Jewish thought, by the current enfant terrible in the field. Theologian Cohen, 34, writes of Judaism from the standpoint of the maskil-the Jewish sage who is outside the rabbinate. Although he studied at Manhattan's Jewish Theological Seminary (as well as at Columbia and Chicago), Cohen is by profession a publisher; he founded the Meridian line of quality paperbacks and now edits religious books for Holt, Rinehart & Winston. Cohen is a believing Jew who accepts neither the Orthodox, nor Conservative nor Reform label...

Author: /time Magazine | Title: Judaism: A Choice for the Chosen | 2/15/1963 | See Source »

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