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...what works for theater may not work for film, what works for one particular audience may not work for another; a version of “Sweeney Todd” identical to the original US production flopped in England...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Good Deeds: Sondheim Seduces Audiences | 11/20/2009 | See Source »

...wouldn’t say they hated it,” Sondheim said. “They just thought we were idiots.” In England, the character of Sweeney Todd is often thrown around as an empty threat to scare disobedient children. Consequently, English audiences viewed Sondheim’s play as seriously as Americans might regard a musical about the Boogie Man. Nevertheless, the hostile reception still stung...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Good Deeds: Sondheim Seduces Audiences | 11/20/2009 | See Source »

...displays, set up by the New England Folk Music Archives and Harvard Square Business Association, are more than just an exhibit—they tell the story of a generation...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...also just a, ‘Wow, you don’t hear this kind of music around Cambridge. You don’t hear people talking about coal mining or tenant farming,’” said Millie Rahn, Folklorist and Archivist at the New England Folk Music Archives. “People really made this emotional and human connection to these people and their stories...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...These musicians made Club 47 their home,” said Betsy Siggins, Founder and Executive Director of the New England Folk Music Archives and former Director of Club Passim. A tight-knit community of musicians, music-lovers, and songwriters alike formed around Club 47 and the surrounding area, brought together by a shared love for music and passions about social issues...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

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