Word: englands
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Dates: during 2000-2009
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Posing in front of a wall in Memorial Church, John H. Updike ’54 looks like the archetypal embodiment of New England aristocracy. One of America’s most prolific writers, Updike also togs up rather nicely. But is he all that different than so many other men posing on the covers of their books? The dust jacket blurb is surprisingly humble until it reaches the end: “Reading ‘Due Considerations’ is like taking a cruise that calls at many ports, with a witty, sensitive and articulate guide aboard?...
...Dark Materials--the phrase comes from Milton's Paradise Lost--takes place in a glinting, shadowy, clockwork version of Edwardian England, with some (very) notable differences. Every human in Pullman's world has a daemon, a kind of talking spirit-animal that goes wherever he or she goes. "They're able to talk to their daemons, much like talking to yourself," Pullman explains over breakfast at his publisher's offices in New York City. "Like having a conversation with your conscience or your memory." In Pullman's world, the church has evolved into a sinister totalitarian bureaucracy called the Magisterium...
...name American actors. "Movie stars are made with worldwide box office," Smith says. "You put a movie out in the U.S., and let's say it breaks even. Then the studio needs you to go around the world and get profit. Being able to get $30 mil in England, 37 in Japan, 15 in Germany is what makes the studio support your movies differently than they support other actors' movies." He has built his global audience systematically: with each film, Smith introduces himself to a new people, often piggybacking on a local event that will attract worldwide attention...
...Barnhill found himself at home in 76 Mt. Auburn, in rooms decorated with oil portraits and 16th-century tapestries. Up the stairs a series of Hogarth prints illustrates, with delicate irony, the dissipation of 18th-century England...
...When the punk movement first surfaced in England in 1977, its nihilistic posturing and contempt for cultural and pop-music traditions rattled both the social and entertainment establishments. Long after the movement petered out or became commercialized elsewhere, it took hold for the first time in Jakarta in the mid-1990s - at a time when the music's belligerence seemed to perfectly echo the hostility many young people felt toward the authoritarian regime of then President Suharto. Onie recalls listening to Guns N' Roses and boy band New Kids on the Block and never feeling a real connection with...