Word: english
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Dates: during 1980-1989
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ORPHEUS DESCENDING. In this gothic erstwhile flop by Tennessee Williams, brilliantly reconsidered by director Peter Hall, Vanessa Redgrave returns to Broadway for the first time in twelve years and proves herself to be the greatest actress in the English-speaking world...
...REVISED ENGLISH BIBLE (Oxford and Cambridge University presses; $19.95; $21.95 with Apocrypha). What? Another Bible? This mostly felicitous British rendition updates the New English Bible of 1970, shedding thees and thous and many male nouns and pronouns. More important, some quirky Old Testament ! readings from the 1970s have gone to Sheol now that the traditional Hebrew text is back in scholarly fashion...
...teapots to hubcaps to sewing machines. Singer- songwriters Djavan, 40, and Ivan Lins, 42, are purveyors of easygoing, soulful music in a sophisticated urban style. Djavan, who hails from the northeastern state of Alagoas, began making records in the mid-1970s; his most recent albums have included songs in English. Lins' songwriting is freighted with rich chord changes; like Djavan, Lins is aiming for mainstream crossover appeal abroad. With this in mind, he sings in English on this year's Love Dance, his latest album release...
...accused were men andtwenty-four of them were women. These seven menwere also associated with "known" witches, and"...in most cases...the ["known" witch] was theprimary subject, with the man becoming implicatedthrough a literal process of guilt byassociation."3 The accused were usually wives andmothers of "...solidly English stock and mostly`Puritan' religion" (Demos, p. 71). In thesecharacteristics, the accused did not deviate fromthe cultural norm. They did deviate in severalnoteable ways, however: most of the accused werethought to be poorly conditioned socially. Theydid not hold positions of high respect orauthority in the church or the other areas wherepower...
...skill and lucidity of realization that defy not only imitation but, in some final way, analysis itself. He is to realism what Piero della Francesca is to abstraction. First Edouard Manet and then a whole succession of French painters from the 19th century into the 20th (not to mention English and American ones as well, in particular Sargent and Whistler) were transfixed by Velazquez when they found him on their pilgrimages to the Prado. Francis Bacon contorted Innocent X into his own series of screaming Popes. Picasso did a knotty and unsuccessful series of "variations" on his work, attempting...