Word: englished
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Dates: during 1950-1959
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...studio is a small, skylit shed set amid four tranquil acres of Hertfordshire farm land, an hour north of London. Inside, workbenches are covered with old bones, sticks, water-smoothed pebbles, shells from the English coast and the Riviera sands. On the walls are curious drawings in pencil or in sallow greens, yellows and reds-disturbing, faceless human forms composed of lines, curves, shadows and holes...
...sold only 36 commercial Comets, all but ten to British lines. Foreign lines have shown a marked preference for the bigger, faster U.S. jets. As for military sales, Britain has practically abandoned planes, and missile orders are comparatively small, since the U.S. has supplied Britain with many such weapons. English Electric's hot (Mach 2) P.1 Lightning all-weather night fighter, now abuilding, will not only be the Royal Air Force's first truly supersonic fighter, but very likely its last...
...survive, many a planemaker has diversified to other fields. Hawker Siddeley builds cars (the Sapphire). Others make boats, harvesters, computers, plastic products. Those that hope to develop advanced planes are working together. De Havilland, Fairey and Hunting are jointly developing a new medium-range jet, the D.H. 121. English Electric and Vickers are developing a supersonic bomber...
Back to the Wall (Essex-Universal; Ellis) is a French murder mystery. The victim (Philippe Nicaud) is a young Parisian actor who drinks Scotch and smokes English cigarettes, but his outstanding habit is routinely French. The poor fellow cannot stop making love to another man's wife (Jeanne Moreau), his sweetheart from drama-school days. As the film begins, the husband (Gerard Oury), a dull young electronics millionaire, is expanding his plant, reinforcing a new concrete wall with the corpse of his wife's lover...
Humanity & Virtue. Six of the stories that Feng collected-and presumably edited-have been translated by English Scholar Cyril Birch. Today's readers will have to suspend all their literary leanings to appreciate the tales. They move with remarkable smoothness, but their authors cared not a kumquat about probability or credibility in the modern sense. The plots are supported by coincidence, and the passage of years is treated as offhandedly as a spilled cup of tea. What makes them interesting centuries later is a mixture of lusty humanity and shrewd weighing of human nature, an awareness that life...