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Word: englishes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Government is a contrivance of human wisdom," Anderson said, quoting English philosopher and statesman Edmund Burke. "We must wonder what he (Burke) would say now that human wisdom is in such short supply," he added...

Author: By Kenneth J. Ryan, | Title: Anderson Urges Investment Incentives | 11/29/1979 | See Source »

...Kenneth Riegel's wooden Don Ottavio. Among the women, Kiri Te Knawa's Donna Elvira stands out as the most musically agile and dramatically subtle. Edda Moser afflicts Donna Anna with an unfocused voice and the worst of operatic mannerisms--especially ludicrous with instant translation in English subtitles. She shrieks and sways--the subtitle reads, "I'm fainting." She shrieks once again and staggers to embrace a marble column--"I'm dying...

Author: By Scott A. Rosenberg, | Title: Donning the Screen | 11/28/1979 | See Source »

Those subtitles give this Don Giovanni a great advantage over live opera, but pose a danger as well. By offering an instant, easily consulted libretto, they restore to the recitative sections the cynical bite normally lost on English-speaking audiences. Future directors. though, would do well to find themselves better translators than Losey's. As the spirits of hell clamor for the Don's soul, for example, he shouts, "They agitate my viscera...

Author: By Scott A. Rosenberg, | Title: Donning the Screen | 11/28/1979 | See Source »

...heart, often from some place in Europe tossed by convulsions of war or politics. One story follows the sad, late return (1950) to Berlin of a German prisoner of war in France. Another recounts the trials of an Italian servant girl on the Riviera, working for a neurotic English couple just before Mussolini declared war on France...

Author: /time Magazine | Title: Books: Coin's Edge | 11/26/1979 | See Source »

Modigliani has both a sensual solace and a fiery challenge in his English mistress and nude model, Beatrice Hastings. Mary-Joan Negro plays this role with such formidable passion and intelligence as to conjure up Goethe's "eternal feminine" as the root impulse of creation. Wisely, touchingly, Playwright Dennis Mclntyre treats of the artist's self-arming ego and his nightmares of self-doubt. In the title role, Jeffrey de Munn is protean, a mercurial mixture of earth, air, fire and water...

Author: /time Magazine | Title: Theater: Art Bums | 11/26/1979 | See Source »

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