Word: englishes
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Dates: during 1970-1979
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Nicholson is coming up to his 85th birthday now. It is doubtful whether any other English artist has had a comparable effect on the development of abstract art. For several decades, his muted, delicately cut reliefs and abstracted images of still life and landscape formed the main link between English art and the cubist-constructivist tradition in Europe. Nicholson was born too late, and in the wrong country, to be one of the inventors of this tradition. Instead he became one of its most gifted, sensitive and celebrated propagators...
...artist whose specialty also was still life, Nicholson grew up in a visually literate milieu. Because it was English, it was conservative. Ben's first real contact with modern art did not occur until the 1920s, when he saw a Picasso in Paris. "It was what seemed to me then completely abstract," he recalled later, "and in the center there was an absolutely miraculous green-very deep, very potent and very real...
...dery white or blue that clings to its sur face like fog to a headland or lichen to a rock, has the reality of paper as well as the metaphoric function of paint. The work is seldom fully abstract however. The predilection for landscape that runs through English art surfaced again in Nicholson soon after 1939, when he went to live in Cornwall. The mild light of the peninsula, sometimes as crystalline as the Aegean, and its rolling, antique contours of moorland and coast, recur in hundreds of drawings and dozens of still-life and land scape paintings. Nicholson...
...meet quite a few folks-but I can't judge what's relevant." He further fesses up: "I find it very difficult to sing songs I can't connect with." Bok, however, can make some arcane connections. Sources for songs include Child's The English and Scottish Popular Ballads, "an acquaintance with a few local seals, and a series of very striking dreams" that provide Bok with images of burnt skies and a world ruled by wind. He seasons his shanties with Gaelic and Eskimo and has attempted a Mongolian tune now and again...
...friend, 'Govinda, come with me to the banyan tree. We will practice meditation.' " Hesse hung his earlier stories with necromantic swags. In the middle period of Steppenwolf, he contrived a surreal kind of existentialism. In his masterpiece, The Glass Bead Game (or Magister Ludi, the English title), composed during precisely the years when Hitler consolidated his power, Hesse invented his own classical serenity, all civilization encoded in an infinite chess game to be played like the Pythagorean music of the spheres, but in a motionless universe. The book was completed in Hesse's Swiss redoubt at Montagnola...