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...technically another “selected” Rilke, it is far more thorough than Mitchell’s or Bly’s. The sheer amount of translation here is both admirable and convenient; it is the most complete recent collection of Rilke’s works in English. This is the culmination of Snow’s several previously-published translations of Rilke’s individual volumes, revised and collected in this larger book...
They both have different resources for a songwriter to play with. In English, for example, there are many words that have only one syllable and that express a lot. In Spanish, you probably require more words to build a sentence. When I started to write in English, I could barely speak the language, so I had to do it with the help of a dictionary. And now, in the case of "She Wolf," I wrote it first in English, and then I had to adapt it into Spanish...
...crossing over from Spanish to English changed the type of songs you write...
Maestro Gianpaolo Valli whips such students into shape. "You need to know what makes a strawberry!" he shouts. His lively lectures, delivered in deliriously Italian-cadenced, non sequitur - studded English, cover such topics as how to identify a fruit's sugar content and how to do the surprisingly complicated math of balancing sugar (an antifreeze) and fat (the opposite): "You increase the fat content, but it freezes. So you need to compensate with sugar. You say, 'Maestro, not possible!' Yes, it is possible! I show...
Joan Baez, best known for her folk hit “Diamonds and Rust,” got her start in the legendary Harvard Square folk venue Club 47, reincarnated as Club Passim. Her early recording of the Child Ballads, a collection of English and Scottish folk songs, is also representative of the area’s long-standing role in the folk music genre—the ballads were compiled by Harvard English professor Francis James Child...