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Word: englishmen (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...particularly Private Lives and Blithe Spirit--or for that foolproof cinematic stirrer of the female breast, Brief Encounter. But where his plays and films bear the whiff of a long-gone age, Coward's songs retain their vitality: the frisky list songs that display his wit (Mad Dogs and Englishmen; Don't Put Your Daughter on the Stage, Mrs. Worthington) and the achingly tender ballads that reveal his unmatched capacity for genuine sentiment (If Love Were All, Someday I'll Find...

Author: /time Magazine | Title: Sad About the Boy: Noel Coward | 12/13/1999 | See Source »

...King and I), musters nearly 20 of his songs and is utterly charming. As Lawrence, '60s supermodel Twiggy is bright and bubbly (if overly nasal). As Coward, Harry Groener simply captivates. He wisely avoids mimicry, but his panache is pure Coward, and his renditions of Mad Dogs and Englishmen and other Coward specialties are dazzling...

Author: /time Magazine | Title: Theater: If Love Were All | 6/28/1999 | See Source »

...distinct symbolic point. Disorder, in the real world outside or the formal one inside his paintings, repelled him. Everything in his interiors is swept, garnished. De Hooch epitomizes the Dutch obsession with cleanliness, which at the time was unique in Europe: compared with these frugal bourgeois, 17th century Englishmen, Italians or Spaniards lived like pigs, with the sour reek of sweat always coming from behind the silks and leathers...

Author: /time Magazine | Title: Art: Pieter de Hooch: Visionary Homebody | 2/22/1999 | See Source »

DIED. EDWARD MULHARE, 74, Irish-born actor who made a career playing astringent Englishmen; of lung cancer; in Van Nuys, Calif. Mulhare followed in Rex Harrison's footsteps, playing Professor Henry Higgins on Broadway and the equally irascible Captain Gregg in TV's The Ghost and Mrs. Muir...

Author: /time Magazine | Title: Milestones Jun. 9, 1997 | 6/9/1997 | See Source »

...quota of ambitious and/or self-important "prestige" projects--films whose stars and makers might reasonably have felt they had a shot at winning heaps of major nominations. Why did so many of these offerings fail? Has Hollywood lost the knack for marketing serious pictures? Take blustery movies about killing Englishmen: Does anyone really think Braveheart (last year's Best Picture) is significantly better than Michael Collins (only two minor nominations this year)? TIME asked a pair of experts--a top studio publicist and a former studio head (and Academy member) to pick over the remains of some of this year...

Author: /time Magazine | Title: CINEMA: CRYING FOR MADONNA | 2/24/1997 | See Source »

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