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...wrote scornful Expatriate Henry James in The American Scene (1907). To him, as to most Englishmen, "the Church" meant the state-established Church of England; he was appalled by the ecclesiastical chaos of competing U.S. denominations...

Author: /time Magazine | Title: Religion: Britons Will Understand | 6/24/1946 | See Source »

...Harvard-man's Harvardman in the best traditions of the gentlemen and scholar. Though he has not had a foot in a stirrup in twenty years, he speaks reminiscently of his experiences on the range. The impression given by his large library of the works of distinguished Englishmen is betrayed by an equestrian symbol-a pair of tarnished spurs which hang in proud retirement above the fireplace. His nautical blood put him on Harvard's first one hundred and fifty pound crew which he captained in his senior year. But the crew's "claudication," he mournfully recalls, prevented it from...

Author: NO WRITER ATTRIBUTED | Title: Faculty Profile | 5/28/1946 | See Source »

...They did not learn much . . . they did not feel there was much to be learned.... It never occurred to them that many Englishmen, Frenchmen and Germans soon came to look upon them as uncouth barbarians...

Author: /time Magazine | Title: ARMY & NAVY: Odious & Disgusting | 5/6/1946 | See Source »

P.R.B. stood for the "PreRaphaelite Brotherhood." The original Brothers were three Englishmen out of joint with their early Victorian times: William Holman Hunt (21), Dante Gabriel Rossetti (20), John Everett Millais (19). They hoped to recapture the spiritual vigor and simplicity of 14th-and 15th-Century Italian art, and they desired to practice Ruskin's thesis-that esthetic reverence for nature must keep pace with scientific exploitation of her. Their enemies were two: the muddy-handed ghosts of Raphael-devotees of "The Grand Manner" -who were darkening the academies of England with fuzzy fifth carbons of the Master...

Author: /time Magazine | Title: Art: Victorian Surrealists | 4/29/1946 | See Source »

...Express' enthusiasm, like its politics, was excessively nationalistic. Englishmen like to call London's 15-year-old Sadler's Wells company the National Ballet, and take pride in the fact that it owes little to the Russians. Margot Fonteyn is, in a complicated way, English. She was brought up in Shanghai, the daughter of an English tobaccoman named Hookham and a Mexican mother from whom she inherited an exotically high-cheeked face. She joined Sadler's Wells at 14. Two years later Fonteyn's arabesques appealed to the patriotism of the Morning Post: "Here...

Author: /time Magazine | Title: Music: Slim Legs | 4/15/1946 | See Source »

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