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...them all--except Nym, who "cannot kiss; that is the humor of it", is contained all the heartache and tears-behind-the-smile that the business of men going off to fight has always been. This scene and that of the campfire on the eve of Agincourt where three Englishmen spell out for their king what war is all about--that it is not gaudy trappings and caparisons, but fear and mud and obscene smells--early an ice-cold shock of recognition for a world that has just got another war under its belt...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 4/9/1946 | See Source »

...effect of realism, is heightened by the wide variety of characters brought into view: a Polish Jew, a German widow, a petty fascist, an English flier, etc. (English titles are provided for the eight foreign languages used in the background behind the Englishmen.) Yet among all these there is no villain, in the Hollywood sense of the word-even the fascist is an understandable human being. Nowhere have the Swiss fallen into the trap of personifying evil in well-known typed characters: the snivelling, mustached Italian informer, the hard-bitten, blond German storm trooper, or the bloated soap-box Mussolini...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 3/19/1946 | See Source »

...Brides' trip to America. . . . My sister and I have often wondered just what it is that the Americans have, and we have come to the conclusion that it's not only their long legs and slim hips and good teeth, but their kindness. On the whole, Englishmen are not kind...

Author: /time Magazine | Title: Letters, Mar. 18, 1946 | 3/18/1946 | See Source »

From Rugby, England, one R. H. L. White wrote the Chicago Tribune to ask a question that puzzles a lot of Englishmen: "I have recently read that the Chicago Tribune [is] America's England Hater...

Author: /time Magazine | Title: The Press: Modesty | 3/4/1946 | See Source »

Playing Tigers. As Englishmen entered into "the last decade of their grandeur," Artist Ryder, with no faith to cling to, desperately sought to recapture his artistic vitality by painting in the Latin American jungles. Result: he became a bigger social success. "Mr. Ryder," the best critics agreed (in one of Waugh's inimitable parodies of claptrap), "rises like a young trout to the hypodermic injection of a new culture . . . focussing the frankly traditional battery of his elegance and erudition on the maelstrom of barbarism. . . . Mr. Ryder has. found himself." But Anthony Blanche could not be fooled...

Author: /time Magazine | Title: Books: Fierce Little Tragedy | 1/7/1946 | See Source »

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