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...Spain, they're cutting down vast forests in order to build the Armada, with which they intend to impose that country's grim Catholic will on Protestant England. In a glum castle, Mary Queen of Scots schemes to replace her cousin Elizabeth on the English throne - if, of course, she can avoid the death sentence everyone is urging the Virgin Queen to impose on her. In Whitehall, Walter Raleigh is spreading his coat over the mythical puddle so his sovereign will not dampen her dainty feet as she strolls toward her distinguished destiny. Meantime, spies and assassins scuttle through...
...didn't say that, he certainly should have. Turner devoted his life to light, even when his public couldn't follow him into it. His admirers, and they included the great polemicist John Ruskin, called him the supreme English painter of his day. His critics, and there were more of them all the time, thought his watercolors were "crude blotches" and his oils a "gross outrage." They also routinely called him insane (which hurt--his mother had died in Bedlam, the London asylum). Their complaints boiled down to the same thing. Turner made light tangible but things illegible...
...came of age in the last years of an era of great English portraiture, of Thomas Gainsborough, Joshua Reynolds and George Romney, when the British gentry were eager to be commemorated in the full regalia of the ruling classes. The elderly Reynolds was still president of the Royal Academy when the 14-year-old Turner was admitted to the Academy's school. But Turner would have been a disaster as a portraitist. He could draw as well as the best of them. In watercolor he could produce something like molecular detail, notwithstanding that one of his typical techniques...
...invented formats like the idealized harbor, places flanked by classical piles, where a setting sun bears down gently on the horizon. In Caernarvon Castle, an early watercolor flushed with orange twilight, Turner took Lorrain's tranquil model and invested it with the nostalgia and high-minded melancholy of English Romanticism...
...militias supported and paid by the U.S. military. When he asks the Iraqi men how security is in town, they all smile and nod and chat among themselves excitedly. "Good. Good. Already we to go to the peace," says Salih Ibrahim, 50, an art teacher who speaks rough English and who tries to translate questions from his friends. Ibrahim says one region to the east of town still swarms with members of the Jaish al Mahdi - the militia loyal to anti-American Shi'a cleric Moqtada al-Sadr, which the soldiers call "JAM" for short. Ibrahim and others complain that...