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...century. This documentary shows the making of war through his eyes, from the Cuban Missile Crisis through the Vietnam War. The documentary, directed by genre master Errol Morris (Fast, Cheap and Out of Control) utilizes frank White House tapes, startlingly surreal images, and an extraordinary Philip Glass score to engross an audience that may otherwise have little interest in the subject matter. Morris never compromises his vision of McNamara as a man whose regret has opened floodgates of wisdom (upon hearing one of the admonitions apparently directed at the current administration, an audience member actually began clapping), but who remains...

Author: By The Crimson Staff, | Title: Happening | 3/5/2004 | See Source »

...century. This documentary shows the making of war through his eyes, from the Cuban Missile Crisis through the Vietnam War. The documentary, directed by genre master Errol Morris (Fast, Cheap and Out of Control) utilizes frank White House tapes, startling surreal images, and an extraordinary Philip Glass score to engross an audience that may otherwise have little interest in the subject matter. Morris never compromises his vision of McNamara as a man whose regret has opened floodgates of wisdom (upon hearing one of the admonitions apparently directed at the current administration, an audience member actually began clapping), but who remains...

Author: NO WRITER ATTRIBUTED | Title: Happening | 2/27/2004 | See Source »

...century. This documentary shows the making of war through his eyes, from the Cuban Missile Crisis through the Vietnam War. The documentary, directed by genre master Errol Morris (Fast, Cheap and Out of Control) utilizes frank White House tapes, startling surreal images, and an extraordinary Philip Glass score to engross an audience that may otherwise have little interest in the subject matter. Morris never compromises his vision of McNamara as a man whose regret has opened floodgates of wisdom (upon hearing one of the admonitions apparently directed at the current administration, an audience member actually began clapping), but who remains...

Author: NO WRITER ATTRIBUTED | Title: Happening | 2/26/2004 | See Source »

...makes me sick leaving for Harvard for the holidays knowing that as soon as I take off, the administration will engross themselves in a royally entertaining debacle. We weren’t gone long before Cornel "Wild Wild" West and Henry "Skip-Out" Gates got ready to dash away, dash away all to Princeton. And then, just as Summers was making up to the Af-Am Department under the mistletoe, the Katz Committee snuck in to keep things interesting until exams...

Author: By Meredith B. Osborn, | Title: Inescapable Obligations | 1/7/2002 | See Source »

Fortunately, since we spend our time combing the performances for clues, the actors know to engross us with their characters and yet still leave us hanging. Rabbit brings Meg to new lows in ditzoid blowsiness, to such an extent that she sometimes doesn't appear to know to be afraid when she is threatened. This makes it especially difficult to believe her belle-of-the-ball past when it's mentioned, but the comic potential of the suggestion makes up for it. Rabbit shows the eloquence of stance alone, as does Nuccio. Meg's hands are permanently raised, ready...

Author: By Nicolas R. Rapold, | Title: Pinter's 'Party' | 10/31/1996 | See Source »

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