Word: enigma
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...native Spanish and translated into English last year, is the violent and inevitable calamity that finally shakes us all awake. Written as he slowly succumbed to a failing liver before his death in 2003, “2666” is a work of sheer enigma, the cryptic suturing of staggering indifference and nonrelational pain. Bolaño manages to etch the host of themes that characterize his entire body of work—the community of literature, popular culture, and Latin American politics—into a structure that renders them at once inherently meaningless and infinitely meaningful...
...Werhmacht on the apocalyptic Eastern Front to his haunting stay in a rest home for the demented—with a consciousness that remains totally opaque but for his books. But he’s more a symbol than a man: a silent, sage-like alien figure whose enigma never promises anything like life, let alone hope...
...During the dinner party that opens the movie, the couple's pompous writer friend Sam (Mike Binder) hoists his glass to Pippa and describes her as still an enigma after 25 years of friendship. Sam's sense of Pippa as enigma probably has a lot to do with the fact that she's never been interested in sleeping with him, but he raises a fair point. Pippa and Herb recently moved from New York to a cloistered Connecticut retirement community, and the high point of Pippa's day is monitoring Herb's blood pressure. Most women in their...
...make up the physical differences between them. It's a generous act - the more skilled actress reaching out to the younger for the sake of the character. Wright Penn has been in the public consciousness for more than 20 years (Buttercup!), but she herself has been something of an enigma. She seemed, at times, hardly to want to be an actress, letting her private life lead the way while she clutched her potential close to her chest. Pippa should be a career changer. Wright Penn's cards are finally on the table, and it looks like a full house...
...film’s final third, where Bronson begins to produce drawings and paintings for his prison’s art program, synthesizes the film’s content with its narrative frame without reducing the enigma of its subject. Bronson’s art is, from what can be seen, mostly cartoonish grotesquery more reminiscent of Daniel Johnston than Basquiat, but his final “piece” is executed with as much theatrical verve and visual splendor in a series of moments as the rest of the film offers in its entirety...