Word: enjoy
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Dates: during 2000-2009
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...whom seeing a movie the first weekend is important: young men. Thus there are a lot of movies--this is not sexist, it's just business--about superheroes, things blowing up and terrifying ordeals at the hands of ghastly psychos. (To be fair, research shows young women also enjoy the last.) Then the guys--or girls--can attain some social status from being able to discuss the cool scenes. Nobody goes to work or class the next day and says, "You gotta go see that awesome broken heart...
...More and more willy-nilly globalists can probably relate to some version of this theme-park ride, an experience we might as well enjoy since to our grandparents it would have seemed like wildest science fiction, and to our grandchildren it will probably seem quaint and slow-moving. Four nights of my week in the clouds I spend on planes, two of them on flights that last more than 15 hours. At dead of night, near the Himalayas, I wake up and enjoy a lunch made up of the cookies and sandwiches I stashed away in my carry...
...unabashedly heteronormative—mostly likely a product of its pre-21st century datedness than its politics—it does accurately caricature the often hilarious situations involved in searching for, sustaining, or losing love. Anyone who’s ever had so much as an unrequited crush can enjoy...
...Khan abruptly stopped his car at a gas station to make sure all his cassettes were tucked away in a secret compartment beneath the dashboard. "They search the cars for un-Islamic things," he explains. "They would suddenly appear on the road. They are young angry boys. They also enjoy the support of some locals...
...Antonioni - a slender, handsome fellow who in his prime, as Woody Allen will attest, was a killer ping-pong player - didn't enjoy the brand recognition that Bergman did. But in several ways his influence was even greater. His L'Avventura (1960), which sets up a mystery it never resolves, quickly became a rallying cry and furious debating point for serious film lovers. La Notte (1961), Eclipse (1962) and Red Desert (1964) cemented Antonioni's reputation as an anatomizer of malaise and a supreme picture-maker. Blowup (1966), his first full-length English-language film, was a sensation...