Word: ennio
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...Ennio Morricon's score is exotic, penetrating and mellifluous, blending the percussive sounds of the Indian drums with the classical strands of the violin and orchestra to enhance the sensuality that this movie conveys...
...makes music so stylized it becomes otherworldly. In the words of one admiring London critic, "They know how to use their computers." The Pet Shop Boys' tunes are inventive and danceable; It Couldn't Happen Here, on their new album Actually, was co-written with the formidable film composer Ennio Morricone. Their lyrics are jagged fragments of social observation and romantic speculation honed to a keen cutting edge. Two lines from Rent put it neatly: "I love you/ You pay my rent...
...much that Ennio Morricone has lost count. He just never kept one. By rough reckoning, he has upwards of 130 original scores for film and television to his credit. This total does not include his various chamber and orchestral compositions, nor does it tally all the musical arranging he did for records, radio and the theater. But whatever the vagaries of the composer's archival arithmetic, there is no doubt that he has written scores for many films that count heavily in contemporary history...
PETER GORDON: Innocent (CBS). JOHN ZORN: The Big Gundown: John Zorn Plays the Music of Ennio Morricone (Nonesuch/Icon). Not for the squeamish -- or at least not for those who think serious music is something best carried on quietly by consenting adults in the privacy of a concert hall. Gordon, 35, and Zorn, 33, are both members of Manhattan's explosive avant-garde art-rock scene, reveling in hot-wired Farfisas, electric guitars, saxophones and synthesizers. But, as David Byrne says, this ain't no party, this ain't no disco, this ain't no foolin' around. Gordon's Innocent...
Zorn's Big Gundown strolls even farther afield for inspiration, to the spaghetti-western Italy of Composer Ennio Morricone and beyond. Zorn and his ensemble build up huge soundscapes of wailing guitars (a Morricone trademark in his scores for Director Sergio Leone) and screaming saxes, vamping freestyle on the thinnest of musical motives from such films as Once Upon a Time in the West and The Burglars. Not for every taste, to be sure. Call it The Good, the Bad and the Ugly, but check...