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Best known among the other winners were Sam Francis, who lofts petals of color on huge expanses of canvas, and Ivan Albright, painter of meticulous magic-realist works. Kenzo Okada won with his serenely pale abstract, Posterity, which blends European and Oriental idioms. Least appealing of the prizewinners were Ennio Morlotti's garishly colored, gouged abstract called Cactus and Paolo Vallorz' standing nude, a throwback to the Art Students League life class...

Author: /time Magazine | Title: Religion: The Lively Answer | 9/20/1963 | See Source »

Rossini: II Signer Bruschino (Milan Philharmonic and soloists conducted by Ennio Gerelli; Vox). A lighthearted, lightweight and well-sung little opera in its only LP version...

Author: /time Magazine | Title: Music: Year's Best Records | 1/3/1955 | See Source »

Rossini: II Signer Bruschino (Elda Ribetti, Luigi Pontiggia; Milan Philharmonic conducted by Ennio Gerelli; Vox). A delightfully melodious little one-act opera, full of musical fun, the usual incredible plot, and some remarkably attractive singing...

Author: /time Magazine | Title: Music: New Records, may 17, 1954 | 5/17/1954 | See Source »

...SHORT CUT (302 pp.)-Ennio Flaiano-Pellegrini & Cudahy...

Author: /time Magazine | Title: Books: Existentialist Nightmare | 4/3/1950 | See Source »

Conscience Makes Cowards. Like American Paul (The Sheltering Sky) Bowles and French Albert (The Plague) Camus, Italian Ennio Flaiano has found Africa a fertile field in which to cultivate an existentialist viewpoint. The unnamed lieutenant who narrates The Short Cut feels that he was the victim of events; even his murder of the Ethiopian girl seemed a deed to which he was driven by forces beyond his control. But his conscience worked against him, carried him into a feverish world where he became convinced that his victim had given him leprosy. When his careful inquiries about the disease aroused...

Author: /time Magazine | Title: Books: Existentialist Nightmare | 4/3/1950 | See Source »

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