Word: enola
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Dates: during 1990-1999
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...defend their unique culture against Western imperialism," there was no point in negotiating. You don't amend such tendentious anti-Americanism. You kill it. You scrap the 600-page commentary and follow the advice of General Paul Tibbets, pilot of the plane that dropped the bomb: display the restored Enola Gay in reverent silence, with only a few lines explaining what it did and when...
Last week Smithsonian secretary Michael Heyman did exactly that. No doubt alarmed by the fact that 81 Congressmen had written in protest and that hearings were being planned on this exhibit and perhaps other trash-America exhibits at Smithsonian museums, he announced that Air and Space would display the Enola Gay with only a simple explanation of its mission and a video memoir of the crew...
...there is room---indeed, a pressing need--for a thoughtful re-consideration of President Harry S. Truman's decision to give the go-ahead to the Enola Gay and its terrible cargo 50 years ago. Might we have won the war without the bomb? Were the bombs dropped on Japanese soil intended primarily as a grotesque warning to Stalin? Did the atomic bomb create a unique sense of human despair from which we have yet to emerge...
...Smithsonian Institution today said it would delete controversial portions of a plannedexhibit featuring the Enola Gay, the B-29 that dropped the atom bomb on Hiroshima, in a bow to pressure from outraged WWII veterans groups and their supporters in Congress. "We made an error," said Smithsonian Secretary Michael Heyman. The 100,000 square-foot exhibit revised downward the official estimate of the number of American lives saved by the 1945 bombing of Hiroshima and Nagasaki to 63,000, from several hundred thousand. In addition, it focused on pictures and narrative about the Japanese who suffered and died. Rep. Peter...
...first script for the exhibition, which will display a part of the reassembled Enola Gay, was way left of the mark. It interpreted Hiroshima and Nagasaki in a way that managed to transport a righteous '60s moral stance on Viet Nam ("Baby killers!") back in time to portray the Japanese as more or less innocent victims of American beastliness and lust for revenge. As if the Japanese had been conquering Asia by Marquess of Queensbury rules. The curators said to the American public, "Murderer! Hello...