Word: enough
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Dates: during 1970-1979
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...smiling Yaz: "We killed 'em," the headline quotes Zimmer; id like a city holiday and a parade to City Hall where the ecstatic young women of the town hoist the simple manager onto their shoulders. The truth is, any Boston sports fan would endure Zimmer if he was masterful enough to guide a ballclub with a shallow pitching staff, and an injured supercatcher, and a terrible psychological history to a pennant...
...added that the problem with carbon dioxide "is that we are not knowledgable enough to predict exactly what the effects on the atmosphere will...
...RIGHT, of course. This Dracula has the ingredients to be the definitive version. It just doesn't happen to be a very good movie. It's cluttered and insecure; it always gives you a little too much instead of just enough to get you aroused. Dracula delivers, but always before you want it to, so you're never really hungry, never in suspense...
...bothered to devise a cutting style, so special effects pop out at you mechanically, unsurprisingly, without the right build-up, like creaky hobgoblins in a decomposing funhouse. And because his close-ups are so brief and his cutting so nervous, we're never close to any character for long enough to build up any identification. The movie is thoroughly uninvolving...
...decade ago: her boyish charm? Twiggy was a kind of '20s bopper in The Boy Friend eight years ago. Now she is a genuine flapper in There Goes the Bride. Co-Star Tommy Smothers plays an addled adman who cracks his head on a door and hallucinates enough to dawdle with the Twiggy of the '20s, whose picture he was about to use in an advertising campaign. After another crack on the noggin, Smothers perambulates into the '40s. He becomes Fred Astaireical, while unflappable Twiggy turns Ginger Rogersish. Unpadded...