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...evolutionary mechanism that is history. But both the director of this would-be blockbuster and the renowned political scientist got it wrong. While Fukuyama’s vision of the future was surely more accurate than Emmerich’s, he didn’t dream wildly enough...

Author: By Gregory A. Dibella | Title: The End of History Redux | 4/6/2010 | See Source »

Another similar moment occurs the morning after Don sleeps with Sonny. He comes across Marie tending the garden, and when he declines her invitation to join in the work, she replies, “I suppose you’ve spilled enough seed in the house already.” These lines are so over-the-top, that perhaps they would have benefited from correspondingly exaggerated performances by the actors. But Goldberger and his cast for the most part insist on taking characters seriously, creating an effect that is disturbing and bizarre without being larger-than-life?...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: Don McKay | 4/6/2010 | See Source »

...Khuranas say they had been interested in House Master positions for some time but were waiting for an appropriate time for their family to undertake the role. Now, the children have hit the right age—they’re young enough to benefit from the House environment, but old enough that “they have a sense of self and who they are,” Stephanie Khurana adds...

Author: By Danielle J. Kolin and Naveen N. Srivatsa, CRIMSON STAFF WRITERS | Title: New Cabot Masters Strive to Motivate | 4/6/2010 | See Source »

Similarly, fifth track “Alpha Shallows” represents a new level of passion in Marling’s repertoire. The song begins tamely enough: at first, only a soft, yet urgent acoustic guitar and quiet, staccato strings support Marling’s voice as she sings such characteristically poetic lyrics as “And his heart was full of fire at the man he had become / And his soul was seldom higher with the falsities of fun.” But the song gradually intensifies, boasting, at its climax, full choral accompaniment, deep, forceful piano chords...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

...Marling herself intimates on the album’s sixth track, “Goodbye England,” this young artist is gifted enough to become a permanent fixture, rather than some fleeting sensation, of the indie folk-rock scene: “I’m too good for that,” she sings, “there’s a mind under this hat.” And her sophomore release, “I Speak Because I Can,” only corroborates the fact. The new LP proves that Marling?...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

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