Word: enricher
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Dates: during 1960-1969
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...colleagues when he says: "Sex is not a moral question. For answers you don't turn to a body of absolutes. The criterion should not be, 'Is it morally right or wrong,' but, 'Is it socially feasible, is it personally healthy and rewarding, will it enrich human life?' " Dr. Fisher adds, correctly, that many Protestant churchmen are beginning to feel the same way. "They are no longer shaking their finger because the boys and girls give in to natural biological urges and experiment a bit. They don't say, 'Stop...
...function of the film score has always been the same: to touch the essence of the moment on screen. When it works, it comments on the action as words or pictures seldom can-warning of perils, praising the good, cursing the bad. A good score can enrich an actor's performance or make the heart flip at the camera's glimpse of the sky. The new movie music being written in Hollywood accomplishes all this with a freedom and imagination all but unknown to films ten years ago. An art has emerged from within a craft...
...long ago learned that condensing was not enough if we were to bring him the answers to the questions that headlines and news bulletins left untouched. In this week's issue are several examples of the way our editors dig deeper into the news to illuminate and enrich what otherwise would be merely topical items...
...sequence. To emphasize an idea, he brutally amputates an episode in mid-speech and lets a phrase fall through the mind like a severed hand. To retard a rhythm or invite a second thought, he serves up a fade so slow it seems like a memory. To enrich his theme and variegate his texture, he abruptly interjects a two-minute "quote" from another movie and later for the same reasons rabbets in some paragraphs of Edgar Allan Poe. To check and jumble the flow of the story, he chops it into twelve curt chapters, each labeled like a folder...
...Juilliard's mastery of the quartet repertory, but in modern music Juilliard's technique and understanding are unique. The nature of the string quartet inevitably suggests a conversation, and the Juilliard players have an agility and intelligence that pitch and color the tone of each voice to enrich the spirit of the composer. Their Mozart is 18th century parlor talk, Beethoven can sound like stentorian and political argument, Bartok and Schoenberg are full of menacing whispers and terrified screams...