Word: enrico
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Dates: during 2000-2009
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...During the Trinity Test of the original atomic bomb, Enrico Fermi playfully offered a wager on “whether or not the bomb would ignite the atmosphere, and if so, whether it would merely destroy New Mexico or destroy the world...
Comedian Mort Sahl spoke for many now famous performers when he said he was "set free" by Enrico Banducci, the influential impresario of the seminal San Francisco nightclub the hungry i. After buying the cabaret in the early 1950s for $800, Banducci installed a brick-wall backdrop, now standard in comedy clubs, and urged artists to be themselves. In addition to nurturing Sahl, known for his edgy political satire, the flamboyant, beret-clad enthusiast helped launch such performers as Woody Allen, Barbra Streisand, Lenny Bruce, Bill Cosby and the Kingston Trio. Banducci...
...date, A.-and-R. representatives from major labels have not been among them. In fact, Right on Time, Ponnudorai's blinding first album (of mostly covers but with a couple of originals), was only released in 2005, produced and paid for by a friend, the Italian blues guitarist Enrico Crivellaro. Available only online-except for the half-dozen copies Ponnudorai carries around in his bag-it hasn't sold in significant numbers. Neither Crivellaro nor Ponnudorai have sufficient resources to promote it, nor is Ponnudorai of an MTV-friendly...
There's a man here who wants to say one word to you. Just one word. Are you listening? Cement. As head of research and development for Italcementi, Enrico Borgarello knows cement isn't considered the most high-tech--or environmentally friendly--of products. But under his direction, the Bergamo-based Italian company has developed a substance that could turn an ordinary building into a weapon against air pollution...
...enterprising young American persuaded a "short, fat and ugly" tenor to record 10 arias in a Milan hotel room for 100 pounds. The singer was Enrico Caruso, and the album, a huge hit, gave rise to the classical recording industry. In The Life and Death of Classical Music the smart, crusty, blustery critic Norman Lebrecht frog-marches readers, prestissimo, through the glory days of Toscanini and Glenn Gould to the bloated collapse of the early 2000s, brought on by inflated contracts, corporate mismanagement, mindless rerecordings of the warhorses and a welter of weak-minded classical-lite crossover acts. The book...