Word: enropa
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Dates: during 1930-1939
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...returned to his desk in Houston to be on hand, like the world's lesser cotton men, for the Government's estimate. Lamar Fleming Jr., his young partner, who is rated the firm's No. 2 man, saw the figures soon after he debarked from the Enropa in Manhattan. Presumably the partners of Anderson, Clayton & Co. were pleased because a big crop means more cotton to handle. In the seven seasons through 1935 the firm sold more than $1,000,000,000 worth of cotton, yet its total profit was only $13,000,000. Testifying before...
...kind. But at no time during the year is such news so plentiful as during the first ten days of September. Then ocean travel to the U. S. reaches its peak. By last week the Manhattan, the lie de France, the Majestic, the Aqui tania, the Bremen, Enropa, many a lesser ship had landed some 15,000, most of whom were not averse to sharing their views with their stay-at-home countrymen...
Appointed. Captain Leopold Ziegen-bein, master of North German Lloyd's Bremen, as Commodore of the Fleet, succeeding the late Nicolaus Johnsen, Enropa's master (TIME, Dec. 19); Captain Paul Wiehr, master of Hamburg-American's Albert Ballin, as Commodore of the Fleet; Harold Spencer Jones. Cape of Good Hope Observatory's astronomer, as Britain's Astronomer Royal at the Greenwich Observatory; Orville Wright, "first man to fly a powered heavier-than-air craft" (see p. 19), as first Honorary Fellow of the Institute of Aeronautical Sciences; Newton Diehl Baker, as trustee of Ohio State...
...stake.'' This week Tammany is to hold a nominating convention, on the eve of which "Jimmy" Walker was supposed to arrive triumphantly like Napoleon from Elba to be renamed for his old job. The Rex's breakdown cancelled this act as Citizen Walker, late as usual, sailed on the Enropa, due to arrive after the convention...
...Amkino). To Manhattan last week came Producer Jesse L. Lasky and Director Sergie Michailovitch Eisenstein aboard the Enropa. In Director Eisenstein's pocket was a contract with Paramount-Famous-Lasky Corp. to direct their pictures, use his original art?an art of faces. Instead of finding an actor whose physical equipment, intelligence and training fit him to play a given part, Eisenstein looks for a human being who will be the part, whose performance in front of the camera will not be acting but a continuation of the life which that person lives daily. It is a method which...