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...pretty damned scared to write that piece. My first year was a tough one. The ghosts in my emotional closet got up and stalked en masse through my Grays West room. The prospect of coming to terms with the year in print I found ironic. My troubled identity as a writer was the most ominous ghost of them all. Writing (trying to write is more accurate) was a tremendous source of pain. But it was also the way I survived...

Author: By Joshua W. Shenk, | Title: Endpaper | 10/8/1992 | See Source »

This history of losses has Luzak grasping for a short-term goal (Beat Yale!) en route to a grander challenge (the Ivy title...

Author: By John B. Roberts, CRIMSON STAFF WRITER | Title: Luzak, M. Booters Take on Strong Yale | 9/26/1992 | See Source »

...House was to impose order on a chaotic political operation. Decision making had ceased. Top-level meetings took hours and accomplished nothing. Second guessing and finger pointing were rampant. Advance men were refusing to journey to sites of future Bush events out of fear that they would be canceled en route. Bush had little confidence in his top advisers, and the strain was evident to anyone who watched him on television. Baker has told friends that before returning to the White House, he had discounted complaints about how sclerotic the operation had become. Once he got there, he confessed that...

Author: /time Magazine | Title: No Miracles Yet | 9/21/1992 | See Source »

...Wives -- the question of whether it contains clues to Allen's dumping Mia Farrow in favor of her 21-year-old adopted daughter, Soon-Yi Previn Farrow -- this is irrelevant, surely, to the noble trade of movie criticism. You want us to ponder weightier issues, like the piquant mise-en-scene in the oeuvre of a major auteur. Perhaps the entire review should be in French...

Author: /time Magazine | Title: Sleepwalking Into a Mess | 9/21/1992 | See Source »

...with its firm vibrato is not elitist, and she sings this collection of songs that have made their way into films with a passion and abandon that would make Madonna envious. Garrett's plaintive Voi che sapete, from The Marriage of Figaro, and her flirtatious plotting in Quando m'en vo, from La Boheme, are the answer for those looking for substance in their tunes...

Author: /time Magazine | Title: Short Takes: Aug. 31, 1992 | 8/31/1992 | See Source »

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