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...urine. Her mother did the cooking there and never had time for reading bedtime stories. That is how Sculptress June Leaf, 39, chooses to remember her childhood on Chicago's West Side. With such a past, it is not surprising that her artistic heroes are Hogarth, Klee and Ensor, or that she has learned, from the hippies she says, "to see the kaleidoscopic side of life and the mind...

Author: /time Magazine | Title: Sculpture: Carnival of Grotesques | 1/10/1969 | See Source »

...twisted drunkards, perverted bourgeois and browbeaten soldiers can clearly be traced back to Durer and then down through George Grosz. In his wispy cloudlike sketches and pastels lurks the orchidaceous venom of Odilon Redon. In his zinc-plated etchings there are shades of Max Beckmann. One, entitled Klee and Ensor Fighting over a Smoked Herring, acknowledges the artist's debt to both...

Author: /time Magazine | Title: Art: The Newest Gothic | 1/20/1967 | See Source »

...Pens. The monsters that uncurl on his floor are puckishly reminiscent of the grimacing gremlins, eerie puppets and masked mobs unleashed by fellow Belgian James Ensor. As his current exhibition at Manhattan's Jewish Museum shows, Alechinsky's beasts seem to wriggle out of the North European imagination, with flickery fingers, eyes bugging like fried eggs, toothy grins waning like quartering moons, all struggling through a welter of abstract interlace. Even when Alechinsky signs one of his lithographs, he cannot resist adding a few devilish flourishes with...

Author: /time Magazine | Title: Artists: The Gremlinologist | 6/25/1965 | See Source »

...balding Belgian who claims that copying nature bores him. Yet, says he, "my work, provoked by emotion and spontaneity, will never be abstract. It will always represent man." But man is a strange creature to Alechinsky, brought up on a tradition of Hieronymus Bosch and James Ensor, and his provocations have led to a bestiary of amorphous animals, gloopy noggins, jumbles of legs. For him, "the canvas is a proving ground, not a screen to hide behind...

Author: /time Magazine | Title: Art: The Plumed Serpents | 12/18/1964 | See Source »

LEONARD BASKIN-Associated American Artists, 605 Fifth Ave. at 49th. Ten etched portrait studies of Ensor, Bruegel, Callot and other figures from the past. As a portraitist, Baskin is incisive; crisscrossing a face as if tracing its nerve network, he seems to probe the subject's inner nature. His Munch is a memorable expressionistic achievement of the Norwegian painter's own aim to synthesize modern form and symbolic expression. Through April...

Author: /time Magazine | Title: Art: Art in New York: Mar. 27, 1964 | 3/27/1964 | See Source »

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