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Thus despite its dissona "row," the Fantasy is still conservative in that Coplan retained the traditional mo rhythmic and melodic con He once said that modern "shares with older music pression of basic human ent even though at times it may more painful, more hectic, mocastic. Whatever else it it is the voice of our own in that it needs no apology...

Author: By William A. Weber, | Title: Copland: Innovation vs. Mediation | 3/10/1961 | See Source »

Pivotal Notes. Foss began to construct a system built around a series of pre-agreed pivotal notes and a system of letters that indicated what roles the various instruments were to assume at differ ent times. Now he has abandoned the idea of pivotal notes, but the group still starts with "a certain musical vision," worked out in countless rehearsals and set down in graphs and Foss's own specially devised symbols. "If we hit something good," says Foss, "we try to remember it. If something bad, we try to forget it." The technique, insist the players...

Author: /time Magazine | Title: Music: Classical Hipsters | 10/24/1960 | See Source »

...moving Reutlinger to one side, making him managing editor of the Sunday edition and editor of the new weekend television magazine. His successor as managing editor: Luke P. Carroll, 44, of the New York Herald Tribune. A Trib veteran of 20 years, Carroll rose from reporter to Chicago correspond ent (1944-49), to news, foreign, national and city editor...

Author: /time Magazine | Title: The Press: War Horse to Pasture | 5/2/1960 | See Source »

...Cover) The green phone - phone-green to match the office walls - rang imperiously. New York City, said the long-distance operator, was calling Mr. James Reston, and in a moment Mr. Reston, Washington correspond ent of the New York Times, was talking to Adlai Stevenson. The titular head of the Democratic Party, a longtime Reston admirer, confidant and news source, was getting ready for his South American tour, and he wanted to know if the Times in tended to cover it. As a matter of fact, Stevenson hinted, it would be dandy if Reston himself went along. Well, no, said...

Author: /time Magazine | Title: The Press: Man of Influence | 2/15/1960 | See Source »

...paranoid punk from Oklahoma (Robert Ryan) who would sooner risk the bundle than his sense of white supremacy. The punk calls the Negro "Brother Bones," and warns him not to "crap out" on the job. "Ah been handlin' [Negroes] all mah life. He's no diff'ent because he's got him a twenty-dollah pair a shoes...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 26, 1959 | 10/26/1959 | See Source »

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