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...addition to conducting his own Concerto and Les Noces, Kirchner performed with Luise Vosgerchian two Schubert compositions as entr'actes. Performed completely satisfactorily, these two works for four hands at the piano did serve usefully as comic relief. More familiar and predictable they could not have been...

Author: By Joel E. Cohen, | Title: Kirchner and Stravinsky | 2/12/1964 | See Source »

Joel Martin, as Captain Mark Ingestrie, the hero, surpasses his fine job in The Gondoliers this fall, and contributes the prologue and two songs at the first entr-acte. Martin's hamming made every scene he played a delight; unfortunately, these scenes were few, and oh, so far between. Sheila K. Forde and Anne d'Harnon-court were the most creditable among the other principals; the first as a rapidly repentant veal-pie maker, the second as the slightly tipsy mother of the heroine...

Author: By Charles S. Whitman, | Title: Sweeney Todd | 1/10/1964 | See Source »

...players, I thought Ginio Morris, as a hag, and Godbold McDonald, as the madhouse keeper, were superb. Most effective bit-part honors must go to Joseph R. Scott, however. He played the bagpipes for five minutes in the third entr'acte...

Author: By Charles S. Whitman, | Title: Sweeney Todd | 1/10/1964 | See Source »

...scholar who is admiringly called "Bunka Taishi," the cultural ambassador, Ed Reischauer has an entrée to Japanese universities that is jealously denied other foreign officials. In every campus appearance he has scrupulously avoided propaganda, but manages nonetheless to get in some pertinent points. In a discussion of "Japanese History as Viewed from Abroad," he gracefully recalled the oft-forgotten fact that Japan had a thriving parliamentary tradition for 80 years before it was choked by the militarists in the '30s. The between-the-lines message was to Japanese radicals who are impatient with the legal niceties...

Author: /time Magazine | Title: World: The Natural Americans | 1/12/1962 | See Source »

...Variety is required: for the first of these three, Norman Dello Joio's Air Power Suite would no doubt suffice; a few bar's of Gluck might enliven the second; and Offenbach is the only answer for the third. Certainly other suggestions are possible, but continuing the present entr' acte offerings is worse than playing Frescobaldi at a Yovicsin press conference...

Author: NO WRITER ATTRIBUTED | Title: To Soothe the Savage Beast | 10/23/1961 | See Source »

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