Word: enzo
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Dates: during 1960-1969
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From time to time, some richly imaginative columnist likens Club Singer Enzo Stuarti to the late Mario Lanza. But the comparison is fair to neither man. Lanza had a voice of genuine operatic dimensions, and he misused it sadly. Stuarti has a voice of cocktails-and-dancing dimensions, and he makes the most...
...Crash. Count Wolfgang von Trips, who could have managed his family's Hemmersback Castle in the German Rhineland as a moneyed aristocrat, had a desperate desire to win. All through the summer, Von Trips, 33, and Phil Hill, 34, of Santa Monica, Calif., teammates in Italian Auto Magnate Enzo Ferrari's racing contingent, had dueled across the Continent for the world title.* Before the Italian Grand Prix at Monza, the pale, slim German nobleman was just in front of the taut, nervous American in the competition for the Grand Prix championship. Victory at Monza would have given...
...packed grandstands and bleachers, and pressed against the wire fences at the edge of the 6.2-mile course that winds through a boomerang-shaped road circuit and a broad speed oval. They had come to see the five blood-red Italian Ferraris-all but one members of Enzo Ferrari's superb factory team. When the cars went off, Von Trips quickly faltered and fell behind. He had a history of first-lap trouble; fellow racers said of him: "If he gets past the first lap, he's all right." He was fifth, behind three Ferraris, and a forest...
Gioconda's absurd libretto (by "Tobio Gorria," anagram for Arrigo Boito, Verdi's great librettist) revolves about a love plot of pentagonal complexity; Barnaba is in love with Gioconda, who is in love with Enzo, who is in love with Laura, who is married to Alvise. By the time Gorria-Boito sets things right, four acts and nearly that number of hours have elapsed. But La Gioconda is a singers' opera, and it gives the principals some rousing tunes, including Enzo's great second-act aria, Cielo e mar, superbly rendered last week by Tenor Tucker...