Word: ephemeras
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...ofSmith's melting-pot London, is half Chinese, half Jewish. We also meet black English Jews and an African-American Buddhist.) But Alex has a more pressing concern: finding Kitty Alexander, a reclusive, aging film star in New York City, whose rarely seen signature, the white whale of celebrity ephemera, he has pursued since childhood...
...summer and in mid-September moves to Edinburgh, then on to continental Europe, the U.S. and Japan - is divided into sections: games families, making and marketing, games culture, sound, cinema, future technology. There are driving games, sports games, kids' games and "twitch" games requiring rapid movements. There's ephemera in the form of magazines and fliers. You can listen to retro soundtracks or play games that create their own unique music. Eleven artists have been commissioned to produce related works. With such a wide brief, some areas, such as cinema, seem rather squeezed, but many go into fascinating depth. Making...
...history demands that one be aware of the deeper world as well as the wider. For the period in question, America has been hydroplaning on the present, creating and devouring a culture consisting of relentless ephemera. The intellectual so-called life became deconstructionist game playing, politics became claptrap, "globalization" became internationalism for shoppers. Our superpowerhood fed feelings of omnipotence and self-righteousness (remember the "City on a Hill"?), which in turn created a false sense of immunity. On Sept. 11, airplanes crashed into two cities on a hill...
...object of worship. They gripe about having no sex because all the boys are intolerably interested in sports or guitars and amuse themselves by obsessively following weirdoes around their homogenous, suburban neighborhood. But slowly the relationship becomes strained as Enid befriends Seymour (Steve Buscemi), a lonely collector of antique ephemera, and Rebecca yearns to put her life in some sort of direction...
...migrant societies necessarily are. Each of its five sections corresponds to a 20-year slice of history, and tries to set forth (or at least to indicate) the dominant history, the winners' and losers' versions, of the era. It spends at least as much time and space on ephemera, from tourist brochures to labor pamphlets, as on certifiable masterpieces of art - which California has never produced in abundance anyhow...