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...Hanks first comprehended just how immense his own deficit in Pacific-theater history was while making Saving Private Ryan. Around that time, novelist Nora Ephron (who wrote the screenplay for Sleepless in Seattle, which starred Hanks) sent him the two-volume, 1,882-page Library of America Reporting World War II: American Journalism (1938 to 1946) as a gift. Hanks grew intensely interested in all things related to the Pacific campaign - not necessarily the big names like Tojo or Ernest King, but the 3rd Marine Division, which was ambushed by snipers at Guam, or the intricacies of Operation Detachment...

Author: /time Magazine | Title: How Tom Hanks Became America's Historian in Chief | 3/6/2010 | See Source »

...annual tradition - and the glitziest Washington gets - this year's Honors marks the first presided over by the Obamas as the First Couple. Among the 300 guests in attendance were Mikhail Baryshnikov, Matthew Broderick, Harry Connick, Jr., Jane Krakowski, Phillip Seymour Hoffman, Barbara Walters, Nora Ephron, Ed Norton and a number of Congressmen and cabinet members. "I think that this was a beautiful night," said Senator Amy Klobuchar of Minnesota...

Author: /time Magazine | Title: At Kennedy Center Honors, Obama Salutes the Boss | 12/7/2009 | See Source »

Lisa Scottoline is a lawyer-turned-thriller writer, with 25 million books in print in the U.S. But with her new nonfiction book, Why My Third Husband Will Be a Dog (St. Martin's), Scottoline may well find herself compared to Nora Ephron. Scottoline's collection of essays from her popular Philadelphia Inquirer column, "Chick Wit," explores the female condition with a lively, original sensibility, which includes calling her former husbands Thing One and Thing Two. TIME senior reporter Andrea Sachs reached Scottoline at her "girl farm" in Pennsylvania, where she lives with four dogs, two horses and two cats...

Author: /time Magazine | Title: Q&A: Best-Selling Author Lisa Scottoline | 11/30/2009 | See Source »

...Michelle Obama planted a vegetable garden at the White House. In “Julie & Julia,” however, the guilt that often accompanies eating is left by the wayside. The main characters aren’t locavores, flexitarians, pescetarians, or ovo-lacto-vegetarians. Instead, director Nora Ephron presents cooking and food as enjoyable—inducing pleasure rather than peccability. The film chronicles two women’s journeys of self-discovery: a bored housewife, Julia Child (Meryl Streep), gleefully bests male chefs at Le Cordon Bleu cooking school in Paris and writes the revolutionary...

Author: By Lauren S. Packard, CRIMSON STAFF WRITER | Title: Julie and Julia | 9/4/2009 | See Source »

...1970s, I watched Child on PBS with my mother. It was obvious even to a kid that this tall woman with the tremulous voice was having tremendous fun in her kitchen. Even when she made mistakes, she seemed like a woman at peace. Ephron shows us the Child who was on the road to that peace. She'd won the romantic lottery but was still seeking - not fame or importance but a way to be useful, and to share. She was modern in the best sense of the word. Julie & Julia is structured around the idea of two women "finding...

Author: /time Magazine | Title: Julie & Julia: Streep, Ephron and the Joy of Cooking | 8/17/2009 | See Source »

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