Word: epical
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Dates: during 1950-1959
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...Other epic contests have followed. One of the most famous was the 1929 Army contest, in which the Crimson tied a West Point eleven led by all-time great Chris Cagle, 20 to 20. Putnam and Barry Wood, then a substitute, completed seven of 12 passes for 168 yards, including a list-ditch aerial to end V.M. Harding for the tying touchdown...
...horse opera, Singer-Actor Sammy Davis Jr. got his wish, was exuberant after filming an all-Negro oater for CBS-TV's Zane Grey Theater. Wispy (5 ft. 6 in., 125 Ibs.) Sammy had been pessimistic about the prospects of ever persuading a producer to dramatize any epic pitting dark skins against red skins: "They'll never do it! But if they do, it'll be the first time they let the Indians win!" In the current saga, Davis plays a corporal in a cavalry unit assigned to haul a friendly Indian to a peace parley. Time...
...money can buy success, Actor-Producer John Wayne's Texas-sized epic, The Alamo, should be a smash; the $8,000,000 budget includes a full-scale replica of the famous mission built on the flats of Brackettville, Texas. But could it be that piety is also needed for a boffo picture? Before the first scene was shot last week, cast and crew assembled at the re-created Alamo and listened to a special prayer recited by the Rev. Peter Rogers of St. Mary's Roman Catholic Church, San Antonio. "O Almighty God . . . today we ask thy blessing...
Vivaldi: Concerti (I Musici Ensemble; Epic). Five works for violins, cellos and strings by an Italian composer, the bulk of whose works remained unpublished until the late 19405. Since then, Vivaldi has been recognized as a topflight composer; he switches from gentle, birdlike flutterings to rough bearlike thumpings with masterful agility...
Bonporti: Concerti a Quattro (I Musici Ensemble; Epic). Four of the ten polyphonic concertos, marked Opus n by a recently discovered Italian Jesuit philosopher whose lifelong ambition was not to compose music but to become canon at the Cathedral of Trento. Bonporti (1672-1749), who remained an ordinary priest and died brokenhearted, abandoned Corelli's standard concerto-grosso form, loaded his dialogues between violins, violas and bass with such a personal, rhythmic melody that he became a forerunner of 19th century romanticism...