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Word: epical (lookup in dictionary) (lookup stats)
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...office action. When Hollywood looks ahead, it nearly always uses a rearview mirror. What's Next is usually a sequel to What Worked. In this skeptical light, Kingdom of Heaven can be seen as a recipe of familiar faces and tropes. Hire Ridley Scott to direct a burly period epic that pits an obscure hero against historical figures (think Gladiator, then substitute the Holy Roman Empire for the plain old Roman one). Cast Orlando Bloom as a young smithy who boldly challenges the nobility and Liam Neeson as the rebel hero's stalwart father figure (as he was for Leonardo...

Author: /time Magazine | Title: Movies: Coming Attractions | 10/11/2004 | See Source »

...sounds very high-minded, and we'll bet Sir Ridley makes that old armor shine like titanium. But if his knights don't enliven your film summer, you can always joust with George Lucas' Jedi in the last installment of a certain other epic...

Author: /time Magazine | Title: Movies: Coming Attractions | 10/11/2004 | See Source »

...latest work, a self-titled album featuring a hip-hop potpourri of spoken word and rap, dismisses the feminine mystique that has pervaded all his previous efforts, including his first album, Amethyst Rock Star, and an earlier epic poem, “she.” Williams begins the new disc with what could only be described as a startling reclamation of his masculinity. “I ain’t got proper diction for the makings of a thug,” he tell us, not quite ironically, “though I grew up in the ghetto...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/8/2004 | See Source »

When Saul Williams last graced us with his words, in the form of the glorious epic poem, “, said the shotgun to the head,” he gamely disproved the notion that black male artists are nothing without their masculinity...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/8/2004 | See Source »

...With his epic "canvases" of moon dreamings and rainbow serpents, which combine the simple dotted style of rock art with the cross-hatched dynamism of contemporary barks, Mick Kubarkku, at nearly 80, has helped pioneer the new/old movement. As he says in the exhibition catalog, "When we were young we didn't do paintings. We just looked at rock paintings that our fathers did." "Crossing Country" charts this generational shift, which suggests not so much a radical departure as an extraordinary leap of faith...

Author: /time Magazine | Title: Rock Spirits | 10/7/2004 | See Source »

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