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Word: epical (lookup in dictionary) (lookup stats)
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...attention of the world press. Michael Moore, whose Fahrenheit 9/11 is the top-grossing documentary of all time, shifted his focus to the financial meltdown in Capitalism: A Love Story. Provocative and wildly ambitious, it expands beyond the housing and banking crises of the past year into an epic of malfeasance: capital crimes on a national scale. With enough corporate villains to stock a hundred melodramas, who is the hero? The writer-director-star himself. There he is, attempting to make a citizen's arrest of AIG executives and parking an armored truck in front of one bank to reclaim...

Author: /time Magazine | Title: Venice Film Festival: Films with a Mission | 9/28/2009 | See Source »

...poetic license was taken with the genre, the portrayal of vampires was relatively aligned with historical conceptions: vampires were strangely erotic, but always fringe and dangerous. In the last few years though, vampires have stood up from the ranks of common horror (aliens, sharks, and murderers) and into an epic spotlight. Now they are the stars of an incredibly successful book franchise, a blooming film franchise, a hit HBO show, a new show on the CW, and the list goes on. How did this happen?The answer: a Mormon from Arizona, author of the “Twilight?...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: The New Hot Topic: Vamps Don’t Really Suck, Per Se | 9/25/2009 | See Source »

...half or double hero in Surrogates, another cyborg epic from the writers and director of Terminator 3: Judgment Day, and based on a graphic novel. The movie imagines that, in day-to-day activity, lifelike robots have mostly replaced humans, who sit at home speaking for the droids and controlling their actions. It's a piquant premise for those of us who see Americans retreating to near-stasis in front of their computers, enjoying (or condemned to) a life no more than virtual. But the main story, in which humans and robots do battle for the future of the collective...

Author: /time Magazine | Title: Surrogates: The Zen Machismo of Bruce Willis | 9/24/2009 | See Source »

...Jumping from one crisis to another, Kristina may prove not only too epic but too episodic - and far too dour - for a Broadway audience. The age of the serious musicals, your Les Miz and Phantom of the Opera, ended abruptly when The Producers and Mamma Mia! showed that theatergoers preferred perky, gaudy, old-fashioned musical comedies. But Kristina should find a constituency among those who love hearing wonderful music sung by gifted voices. If any naughty folks last night recorded the show, they should immediately post some of its instant classics: Robert's devastating solo "Gold Can Turn to Sand...

Author: /time Magazine | Title: Kristina: A New Musical from the ABBA Guys | 9/24/2009 | See Source »

...also in a lot of junk, like this week's Surrogates, an ambitious but sub-ordinary SF epic in which, as so often, Willis is better than his material. He keeps you watching, inspecting the carcass, and not just because there's not much else to look at. With his coiled poise and the compact gestures of someone who doesn't mind being scrutinized by the camera, Willis exudes worldly wariness and cosmic weariness, as if he'd achieved a state of Zen machismo. He offered a giant dose of this in the last and best Die Hard movie...

Author: /time Magazine | Title: Surrogates: The Zen Machismo of Bruce Willis | 9/24/2009 | See Source »

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