Word: epically
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Dates: during 1930-1939
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Already on view are Let Freedom Ring and Stagecoach. In production are Union Pacific, Dodge City and The Return of The Cisco Kid. Projected by the Marx Brothers is an epic entitled Go West, which will aim to end the cycle by burlesquing it. In The Oklahoma Kid, the current vogue of the Western is dramatically exemplified by the fact that in it James Cagney, whose cinema career has taken him as far toward the great open spaces as gangsters' hideouts, appears equipped with sombrero, cowboy suit, lasso and two remarkably effective hoss pistols...
From the mists of days long past comes a saga of weird and wild deeds. From father to son, for generation upon generation, the epic has been passed on until it has finally reached the Vag, who fells it his duty to give the saga the immortality of the Printed Page...
...Cinema Tap Dancer Eleanor Powell's version of the hula-hula. Fumed the Society's president: "In the true hula the dancer waves her hands to indicate a fish. She moves her hands to her eyes to indicate eyes. . . . There are many sorts of hulas, including epic hulas. There can even be frivolous or comic hulas. But Miss Powell's is not any of them. It is a serious mistake and an insult to confuse the hula-hula with the hootchy-kootchy." Asked whether the body was moved at all, another member coldly replied...
...heard at Manhattan's Metropolitan Opera House today is Wagner opera. And the most important and painstaking of its Wagnerian productions are those of the two Nibelungen Ring cycles which attract some 8,000 listeners annually. No light-headed cafe socialites are they. Wagner's Nibelungen epic consists of four ponderous operas (Rheingold, Walkure, Siegfried, Gotterdammerung) totaling 14 hours of music & drama, requires tremendous listening endurance. But for eight years every Metropolitan Ring cycle has been sung to a sold-out house. Last week the first of this year's cycles opened. For a continuous two hours...
John Ford, the director of "The Informer" and specialist in fog effects, has made a rather exciting adventure story out of "Submarine Patrol," celluloid epic of the U-boat chasing "splinter fleet." If you can sink back into plush upholstery, forgetting the tremendous bellows of Hollywood publicity that are building up Nancy Kelly into stardom and the sweet simplicity of sturdy Richard Greene, you may enjoy the fine technical effects (especially the fog) of this bloodless movie. The film's makers have had to go afield from the old love-interest, which is a pretty wet gag in Hollywood...