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Word: epically (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Playwright Carolyn Green's epic untidily spins out the thought that a women needs two men to satisfy her needs--an intellectual etherial type to minister to her soul and a breadwinning family man to keep her in expensive clothes. This theme Miss Green manages to spin out for a heavy handed, and for the most part, unfunny three acts. Poorly crafted, the script seems almost a parody of the stock devices that are supposed to make a "hit," or as the play bill calls it, a "wildly romantic comedy." The specifics of the plot involve the wife...

Author: By Gerald E. Bunker, | Title: Janus | 3/1/1957 | See Source »

Moreover, the "good time" psychology of the patrons of New York's drama mill and the enormous expense of putting a Broadway show on the boards has forced Broadway into dependence on temporary "hits" that rapidly draw large audiences and then fade into oblivion before next month's epic. A show that does not promise to be immediately popular with a mass audience is completely impractical. Few can afford to pay $12 or more for a pair of tickets to a show that hasn't been predigested and approved. For example, Candide recently closed to a loss of nearly half...

Author: By Gerald E. Bunker, | Title: Off-Broadway | 3/1/1957 | See Source »

...quiet man in the big picture who sits and thinks and thereby saves lives and deters wars. Once Arthur Radford was one of the hottest pilots in the Navy, leading an aerial stunt team called the High. Hatters, even standing in as stuntman for Clark Gable in the epic Hell Divers. But one of his wingmen of those days now prefers to dwell upon the solid and undramatic way that Radford led his men on the routine patrols. "Raddy had it even then, as a lieutenant commander," the wingman says. "You could see he thought bigger than his immediate...

Author: /time Magazine | Title: ARMED FORCES: Man Behind the Power | 2/25/1957 | See Source »

...nostalgic, there is Gustave Charpentier's Louise (Epic, 3 LPs), infrequently heard in the U.S. It is a sentimental apotheosis of the Gallic spirit, dating from a turn-of-the-century Paris that had never heard of existentialism. The work is not only good opera but good soap opera, telling the torturous romance of a working girl and her artist lover. The scene is the same turbulent Paris where Bohème's Rodolfo and Mimi loved, but while Puccini's Bohemians are really passionate Italians, Charpentier's characters are really Parisians-frothy, but a little...

Author: /time Magazine | Title: Music: New Records, Feb. 18, 1957 | 2/18/1957 | See Source »

They will also tell you that the CRIMSON can be a lot of fun. They will describe epic struggles with the journalists from Yale, Princeton, Dartmouth, and others. And they will describe the everyday joys of working together on a group activity with a tangible product appearing daily the next morning...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON Opens Competition For All Four Boards Tonight | 2/11/1957 | See Source »

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