Word: epigrammed
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...Russell is busier taking up old stances than throwing fresh philosophical punches. For one brief moment in the preface of his latest book Human Society in Ethics and Politics, the old philosopher gets set to floor all previous Russells with one haymaking swing. He quotes with approval a famous epigram of David Hume: "Reason is, and ought only to be, the slave of the passions." Though he claims to believe this, Russell, like Philosopher Hume, is not entirely happy about it, and proves it by launching into his favorite fable-how sweet Grandmother Reason is gobbled...
...York Philharmonic-Symphony, conducted by Dimitri Mitropoulos, played the first performance of Roy Harris' Symphonic Epigram. Composer Harris wrote his six minutes of music to commemorate the orchestra's 25th season of CBS broadcasts, used the letters CBS as his motive (he jimmied the letter S into the scale by using its phonetic spelling, Es, which, in German, also means the note E flat). The music was brassy, somber and overwritten, and seemed to be just getting under way when it stopped...
...York Philharmonic (Sun. 2:30 p.m., CBS). Premiere of Roy Harris' Symphonic Epigram...
During the later Middle Ages, Franciscans established a famed theological epigram: Potuit, decuit, ergo fecit-God could do it; it was fitting that He should do it; therefore He actually did it, i.e., keep Mary free of sin. These traditions were embodied in the dogma of the Immaculate Conception (1854), which holds that God "exempted" Mary from the hereditary stain of original sin by making her immaculate at the moment of her conception in the womb of St. Anne, her mother. Mary was thus preserved free of all sin in anticipation of her role as the Mother of God. Almost...
...curtain raiser, there is, for some reason or other, Alfred de Musset's A Door Must Be Open Or Shut, a one act play of trivial epigram and some humor, featuring the well-developed acting of Leslie Cass as a teasing and flirting Marquise. Joseph Mitchell plays a droll, glib Count with too much seriousness, and in too much of a hurry, leaving any timing up to the capable Miss Cass. The program notwithstanding, there was no indication that the play had a director, both Miss Cass and Mitchell fending--and fairly well--for themselves...