Word: epigraphical
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...novel’s epigraph, “Let us go to another country… / the rest is understood / just say the word,” by William Plomer, is somewhat misleading. The couple does journey to another country, but all is not understood between the two. They look at their time in this place with different sets of eyes. When Julie looks into the surrounding desert she sees beauty and opportunity. When Ibrahim looks into the desert, he only sees desolation that he must escape from at all costs. It seems that their love is not strong enough...
...Premature Epigraph...
...Inferno, which takes its name and epigraph from Dante, is Rwanda, Zaire, Chechnya and Kosovo. It is gruesome stuff, some of the most grisly and horrifying photography I have ever seen, and certainly not right for you if your tastes fall on the squeamish side of Diane Arbus. Nachtwey surpasses in pure disgust value even Joel-Peter Witkin, who is known for raiding Mexican morgues in search of subjects. In one Nachtwey photograph taken in Rwanda in 1994, a carcass lies rotting in front of a church; the fact that it hasn't been removed hints that there are more...
...fact, the phrase is the epigraph to a chapter of Keyes' doctoral dissertation, written on ambition and statesmanship. Writing about Hamilton, Keyes argues that popular government relies on "individuals who would rise above the current of ordinary passion." Hamilton, Keyes continued, was no advocate of patriotic moderation. Government, he wrote, "involves the disposition to apply oneself unremittingly to the service of the nation." Keyes takes the classroom to his campaign. These are not academic questions for the ambassador. The other Republican candidates are unwilling to fulfill the role of moral steward, sketched out by Hamilton. "George W. Bush...is incapable...
...Schama's reverence for Rembrandt and art in general winds up being both a virtue and a vice. The book begins with an epigraph from Paul Valry: "We should apologize for daring to speak about painting." It is difficult to imagine a guide through this world who is more well-versed and in love with his subject. But do we really want our biographers to be respectful to the point of silence? Nobody wants to learn about the masters from a guide who finds them too sublime to defile with comment. Granted, a hefty book like this is hardly "silence...