Word: epithets
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From unpoetic, scantly praising Critic Henry Louis Mencken, Poet Hoffenstein's first book, Poems in Praise of Practically Nothing, won the epithet "incomparable." The book was a refreshingly satirical draught from the Plutonian spring. Poet Hoffenstein's second book, Year In, You're Out, contains much the same kind of thing in much the same manner, but here is less satire, more lyric yearning. Again it is Poet Hoffenstein's sourer vein that suits him best...
...life of Anna Parker Lowell proved that "helpmeet" is still a word with all the strength of its Biblical origin, and no mere ornamental epithet. When Mr. Lowell became President of Harvard, she entered at once into the life of this most complex of universities. She occupied herself with its social affairs, was helpful in the work of the Harvard Dames, and welcomed students with cordial informality to the Sunday afternoon receptions. But more than the graces of the temporary hostess were hers: she made the President's House a center of hospitality throughout the year for the University...
...Virginian (Paramount). High on any list of famed moments in U. S. literature and drama is that scene in which Owen Wister's hero, insulted by an epithet* which this cinema clearly records, draws himself up and says with flashing eye: "When you call me that, smile." If you have not read the book or seen one of the plays or pictures made from it for some time you will be surprised to find that The Virginian would be a typical western except that it is less energetic and far better bred than most westerns-a nice library arrangement...
Arkansas is a "backward commonwealth" according to Arch-Lobbyist Joseph R. Grundy of Pennsylvania (TIME, Nov. 11). His criticism was economic, not social. Last week out of the Ozark back country trickled bits of news which illuminated the Grundy epithet in a new and startling manner...
...natural to attend anything popular-priced rather hesitantly, especially when the epithet is applied to no refined an object as the opera, but the work of the Cosmopolitan Opera Company, at the Arlington for two weeks, leaves absolutely no basis for this fear. A small theater and stage, simple settings, singers not yet widely known--these might be handicaps for such an organization; instead they are transformed into positive aids. The grandiose atmosphere that surrounds the Chicago Company's midwinter performances is lacking; in its place is an enthusiastic group of singers and a fully appreciative audience...