Word: equality
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Dates: during 2000-2009
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...Equal parts artist and gearhead, Cameron, 55, has brought to film the time-travel saga of The Terminator, the watery depths of The Abyss and the sinking deck of Titanic. But more than any of his previous movies, Avatar is wholly Cameron's world. The 2½-hr. sci-fi epic follows an ex-Marine named Jake Sully as he struggles for survival on an alien moon called Pandora, home to a tall, blue, humanoid species called the Na'vi and to a mysterious resource called unobtainium, which draws humans in a future century to colonize the planet. Jake...
...wore a plaid shirt, tie, and biking shorts for a full two weeks. Prior to the trip, he had been growing out his hair for a few months to equal the length of his regular beard. Right before embarking, he cut it into what his teammate Daniel J. Chenoweth ’11 called “the most impressive mullet he’d ever seen… The hair flowing out the back paired with his protruding beard was just ridiculous. It was pretty hard to take him seriously for a while...
...first time since Saddam nationalized the industry in 1972. By modernizing a production system wrecked by conflict and embargoes, Iraq's exports could also get a huge boost, putting the country's parlous economy on firmer footing and allowing Iraq to take its place as an oil power almost equal to Saudi Arabia. (Watch a video about the gas shortage in Iraq...
...best golfer will undoubtedly seize the chance to repair his reputation the way he earned it in the first place. One Sunday next year, Woods will catch fire, tear past the competition and hoist another trophy. When that happens, let's hope fans remember that public prowess does not equal private virtue, and that we should reserve our adulation for those whom we know are actually deserving...
...reputation. Anderson’s characters—idiosyncratic, often emotionally opaque and depressive—inhabit worlds whose visual splendor assumes the sentiment, both delicate and deliberate, of an auteur—his awareness of the history of cinema giving way to reverence and innovation in equal parts. His films identify with a generation still in turmoil over lost innocence and the transition between adolescence and adulthood. He crystallized that ethos in 2001 with “The Royal Tenenbaums,” his masterpiece. Since then, Anderson has done little more than replicate that film?...