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Bridget P. Haile ’11 hurries toward the dressing room downstairs, her curled hair bobbing and her long white maiden’s dress bustling underneath her. As she walks, she looks like the perfect anachronism, a remnant of another era??she’s completely unconnected to the old Agassiz Theater around her, existing somewhere in between the character she plays and her role in the real world. That is, until she almost bumps into an admissions employee in the hallway. “That’s the problem with sharing a theater with...

Author: By Jose A. Delreal, CONTRIBUTING WRITER | Title: Gilbert and Sullivan | 4/23/2010 | See Source »

...nuances to the teaching of American history may, in fact, provide a fuller analysis of events to the curriculum. For instance, Cold War historians of either political persuasion have long believed that the Venona documents—recordings of Americans who spied for the Soviet Union during the McCarthyism era??deserve mentioning in textbooks. Also, while the inclusion of the Black Panthers in discussions of the civil rights movement may taint its image somewhat, it is nevertheless crucial to understanding the evolving militancy of black mobilization in the mid-sixties. So before opponents associate all of the recommendations...

Author: By John W. He | Title: In Search of Our History | 3/24/2010 | See Source »

...rooming group—their era??s equivalent of a blocking group—and she’s going through them all: Claire, Carole, Susie, Leslie, and the men—Mike, Tim, Ed and Jim. Thirty years ago they were in Mather, sharing a bathroom door—it had a lock. Thirty years ago Jody was a coast away, time stretching like land in front of her: this is what she talks about, curled up with phone neck-and-shouldered, legs crossed, making sure her interviewer is still interested every once in a while?...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Harvard That They Knew | 3/11/2010 | See Source »

...returns to his college roots as an English major and playwright at Brown University. Wallace’s unnamed interviewer is here given a distinct collegiate identity as Sara Quinn (an icy Julianne Nicholson), who hopes to investigate “the social effects of the post-feminist era?? by conducting and recording interviews with male test subjects in a stark, white-bricked basement room. Sara is a reserved, turtlenecked brunette with closely cropped hair and a voice recorder that never leaves her side. Still shell-shocked from a brutal break-up with Ryan, she conducts these interviews...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Brief Interviews with Hideous Men | 11/13/2009 | See Source »

...state still subject to “blue laws”—legislative relics of the colonial era??it isn’t surprising that the Puritan vibe carries over to the subway system. Boston and Cambridge bars close by 2 a.m., which leaves seemingly little reason to stay out late. That is, unless you’re 20, and your night doesn’t start until 11:30 p.m. at the earliest. With college campuses smattered from Davis Square to Chestnut Hill to Waltham, there’s ample opportunity for a vibrant, energetic...

Author: By Molly M. Strauss | Title: The Party Train | 9/20/2009 | See Source »

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