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The cartoonish air is enhanced by the cheapo production--$5 million, miniscule by today's standards, considering the six eras and elaborate scenery. Every now and then shots reveal ostensibly majestic sights to be obvious models. The ocean in the Titanic sequence looks more like a backyard pool.

Author: By --david M. Handelman, | Title: A Victim of the Modern Age | 11/6/1981 | See Source »

IN SEXTET, John Malcolm Brinnin fuses six distinct portraits into an intricate work, closer to a fragmented fiction than to a fractured reality. Chosen from among the noted and notable of two overlapping intellectual eras, his subjects resemble characters from a diffuse and impressionistic novel. Brinnin has captured them, not...

Author: By Laura K. Jereski, | Title: Six Characters In Search | 10/15/1981 | See Source »

For all its attempts at word association, Solidarity Day is in no way an emulation of the Polish worker's struggle against their government, but a deliberate attempt by union leadership to restore the public confidence in American labor unions. But the president's heavy-handed handling of the air...

Author: By Siddhartha Mazumdar, | Title: Labor's Two Worlds | 9/18/1981 | See Source »

William M. Rand, Jr. '43 and Peter K. Barber '70 are products of different eras, of different wars, of different sets of values. One grew up with the Andrews Sisters, the other with the Rolling Stones. Yet they have a couple of things in common: they both went to Harvard...

Author: By Charles W. Slack, | Title: Giving at the Office | 9/14/1981 | See Source »

Between the eras of La Guardia and Koch there is a lot of relevant New York City history, including black and Puerto Rican immigration, the strengthening of the unions, the demise of the political bosses.

Author: /time Magazine | Title: A Mayor for All Seasons | 6/15/1981 | See Source »

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