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Tending the Image. The astonishing thing about Stravinsky's development up to this point was that unlike Schoenberg, he never turned his back entirely on the tonalities of the 17th, 18th and 19th centuries or on the modal style of earlier eras. In the 1940s, Stravinsky, always a wandering...

Author: /time Magazine | Title: Music: The Rightness of His Wrongs | 4/19/1971 | See Source »

The tension between the two very different eras represented on stage is more painful to watch than can possibly be described here, and the creators of the musical have found an amazing number of ways to exploit it. Besides the score, there is the device of having the characters shadowed...

Author: By Frank Rich, | Title: Theatre The Last Musical | 2/26/1971 | See Source »

Boneless Fadeaway. Ogdon and his pianist wife Brenda Lucas, together with their children Annabel, 9, and Richard, 5, live quietly in a town house on London's Regent's Park. There he seems the farthest thing in the world from what many consider him to be: a reincarnation...

Author: /time Magazine | Title: Music: Unromantic Romantic | 2/22/1971 | See Source »

Now is probably the only time that a film as strange as The Last Valley could ever have been made in Hollywood. It seems that any glorified technician is able to gain a camera and a crew if he can convince some producer-hipster that he has a personality and...

Author: By Michael Sragow, | Title: Movies The Last Valley at the Gary | 2/22/1971 | See Source »

One interviewer from a Southern state college almost fell back onto his unmade bed when I showed him my credentials. While waiting outside his hotel room, I had talked to those in line. When I dared to question the selection of 1876 as a terminal date for the job description...

Author: By Peter C. Rollins, | Title: Learning to Live With A Degree From Harvard | 2/3/1971 | See Source »

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