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...century collection rest against the walls, waiting to be fitted into their frames. Below ground, white-gloved workers are laboriously transferring the 3,000 works currently in storage to a new, climate-controlled archive system. And in the Room of Muses, a lone conservator painstakingly cleans a sculpture of Erato, the Greek muse of lyric poetry, one of eight statues that give the museum's new receiving hall its name. These figures date from 2nd century Greece, but set against the hall's watermelon-red stucco walls, they take on a decidedly postmodern feel. They make a fitting welcome committee...

Author: /time Magazine | Title: Into the Light at the Prado Museum | 10/24/2007 | See Source »

...definitely have the potential to make it big, neither is quite ready to fill the king-size shoes of the Old Guard. Bel Canto (Sony Classical), Alvarez's first CD, is promising but not yet the work of a mature artist, while Cura can be heard in Puccini: Arias (Erato), a handsomely sung recital conducted by Domingo that reveals Cura's blind spot: his high-octane voice is oddly charmless...

Author: /time Magazine | Title: Music: Tuning Up New Tenors | 12/28/1998 | See Source »

...PUCCINI La Boheme (Erato). Conductor Kent Nagano restores the freshness and bloom to Puccini's heart-tugging tale of young love won and lost. Soprano Kiri Te Kanawa as Mimi and tenor Richard Leech as Rodolfo are with him every step...

Author: /time Magazine | Title: The Best Of 1995: MUSIC | 12/25/1995 | See Source »

BIZET: SYMPHONY IN C MAJOR; "L'ARLESIENNE" SUITE (Erato). Grace, style, panache and a certain je ne sais quoi: Bizet had it all. Just what the doctor ordered when you're sick of the three German...

Author: /time Magazine | Title: Critics' Choice: Oct. 24, 1988 | 10/24/1988 | See Source »

LISZT: Sonata in B Minor; Two Legends; The Blessing of God in Solitude. Francois-Rene Duchable, piano (Erato; LP or CD). Franz Liszt, the archetypal piano virtuoso, wrote only one sonata for his instrument, but what a sonata it is! Bril liant, bombastic, tender, devilishly diffi cult, structurally innovative, the nearly half-hour work is the summa of romantic piano technique, and every modern pianist must test his mettle with it to claim Liszt's mantle. Most opt for a straightforward, flashy approach, hoping to conquer the piece by sheer dexterity. Duchable, a young Frenchman with an especially rich tone...

Author: /time Magazine | Title: Music: Throwing Down the Gauntlet | 2/17/1986 | See Source »

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