Word: erford
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Dates: during 1930-1939
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...there is no doubt by this time that Director Erford Gage has an experienced knowledge of what constitutes good theatre--even though he lets slip some clumsy moments in the first act bridge scene. Stage Manager Hildon Cooper probably has budget troubles, but he relies on simplicity for his effectiveness. These stock productions are always a bit rough and sometimes they are even crude, but they've got something more than finish: the proper attitude toward the theatre...
...second production of the season, Alan Gray Holmes' stock company of Boston is hitting the pace. With Erford Gage as its guiding genius, the company has put on a rousing production of Kaufman-Ferber's play, "The Royal Family." By taking the cream of the dramatic crop in the past decade, Mr. Holmes has made a wise move, for the pep of the script carries the play along when the cast has an occasional low moment...
...play gagged up by Kaufman takes hair-trigger handling to put it across. The production at the Copley, however, started off like a funeral procession. About the middle of the first act hope was fast fading when in whooped Erford Gage in a coon skin coat and the show began to shake the dust off its feet. By the end of the second act everyone was talking at once. Mr. Gage was roaring up and down stairs, Joan Croydon (Julie) was standing mid-stage screaming her head off, and things looked brighter. Things continued to look bright straight through...
...revival class which must depend heavily on the originality of the production. Alan Gray Holmes's stock company has made an attempt to give the play that added novelty of interpretation, and has in part succeeded. What success the production has attained can be attributed almost solely to Erford Gage, director-actor, who gives every indication of crashing into the big leagues before long...
...such a difficult technique of direction. Perhaps if the pacing had been quickened, the inadequacies of the supporting cast could have been smoothed over by the force of the play. But as it was, the pace which could have been tremendously effective only served to show up the cast. Erford Gage was, of course, the exception. Another exception might be made of Alice Wiley who, taking the part of Mrs. Terrence, the housekeeper, livens up her scenes with a humor adding much to the lines...