Word: eric
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...There's plenty of money lavished on the production too: $10 million (as she mentions three or four times during the evening), and it boasts some luscious videographic effects. Oh, and Midler does make an appearance wreathed in a 3200-lb. headdress of pink feathers. But Showgirl, written by Eric Kornfeld and Bruce Vilanch, and choreographed by Toni Basil, keeps its focus on the star. It's a big satin pillow for her outsize talents to cuddle...
...show-biz salesmanship that's been irresistible since her early days as an icon for gay men only. "Thirty years ago, my audiences were on drugs," she says. "Now they're on medication." Her fans have aged, but Midler is still incandescent, and the new show, written by Eric Kornfeld and choreographed by Toni Basil, is a fresh, sinfully satisfying distillation of her career. The Divine Miss M. just gets diviner. Bette. Better. Best...
...reader a sense of peace, he does not resolve all the conflicts. Baxter is careful to leave many questions unanswered and many avenues still open for exploration, allowing the reader to sort out Nathanial’s complicated existence without his well-written guidance. —Staff Writer Eric M. Sefton can be reached at esefton@fas.harvard.edu...
...think the Press is much interested in keeping it,” Jacoby says. “We’re just happy when people are down there learning and printing. That’s really all there is to it.”—Staff writer Eric W. Lin can be reached at ericlin@fas.harvard.edu...
...both come to bear his children though only one ascends the throne. Natalie Portman ’03 (“V for Vendetta”) gives one of her most convincing performances as Anne Boleyn, the coy but spirited queen who eventually loses her grip on Henry VIII (Eric Bana, “Munich”). Mary, played by Scarlett Johansson (“Lost in Translation”), is Anne’s quiet and obedient younger sister—the other Boleyn girl—who goes unnoticed until the King brings her to court...